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The Artistry of Personal Yoga

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    saṃyoga

    Root: yuj Devanāgarī: संयोग Translation: conjunction, combination, connection; union or absorption with or in; applying one's self closely to, being engaged in, undertaking; a conjunct consonant, combination of two or more consonants Similar words:yoga Opposite words:viyoga Related concepts:avidyā, saṃdhā

    Appears in

    Yoga Sūtra:

    Chapter 2: 17 , 23 , 25

    Sāṃkhya Kārikā:

    20 , 21 , 66

    Bhagavad Gītā:

    Chapter 5: 14
    Chapter 6: 23


    Click here for complete Saṃskṛta Index

    Commentaries around

    Links to Related Resources & Longer Articles:

    • The Art of Exploring Priorities through Āsana and the Yoga Body…
    • Yoga can be a mystery to be resolved or a question to be solved……

    Collated Related Short Posts & Quotes:

    “Yoga is about a fusion
    of the dual skills of
    being somewhere
    amidst
    not going anywhere.”
    – Paul Harvey on Yoga Sūtra Chapter One verse 12

    “In Sūtra 1.28 Patañjali proposes Japa Sādhana
    in conjunction with Bhāvana on its purpose.
    What is the purpose within Japa in exploring
    the relationship between Praṇava and Īśvara?”
    – Paul Harvey on Yoga Sūtra Chapter One verse 28

    “That’s our starting point…
    This curious conjunction
    of being Human and
    yet human Being.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 6

    “In Yoga freedom is in reality releasing the Citta,
    from the illusion that, it is the release of the Cit
    from the illusion that, it is that which is bound.
    This illusion that it is the Cit that is bound,
    blinds the Citta from looking at itself as a
    source of the bondage. Within this illusion
    there arises a consequent lack of insight into
    the symptoms and cause of the confusion in
    the reality of any relationship between the two.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 6

    “The arrangement of Yoga Sūtra Chapter Two involves four components:
    1. Duḥkha – What is it that I want to avoid?
    2. Avidyā/Saṃyoga – Association or from where has this come?
    3. Kaivalya/Viveka – Where should we be in order to be free from this association?
    4. Viveka/Aṣṭāṅga – What is the way?
    What is the discipline that will give Viveka, not just for a moment, but there all the time?
    This is the place of Yoga.”
    – TKV Desikachar on Yoga Sūtra Chapter Two verses 16 – 28

    “What causes Duḥkha?
    In the school of Sāṃkhya it arises from within, or from external influences,
    or from extraordinary phenomena such as drought, storm, earthquake.
    However, the experience of Duḥkha is not the same for everyone.
    The same circumstance may not bring Duḥkha in erveryone.
    Hence the cause of Duḥkha is association. Association implies “two”,
    that which is “associated to” and that which is the “cause of association.”
    In Yoga they are known as Draṣṭṛ and Dṛśya;
    that which perceives and that which is perceived.
    The next three Sūtra describe them.
    How these two get associated is a subject matter of great debate.
    Suffice it to say that this mystery is the Lord’s will.”
    – T Krishnamacharya on Yoga Sūtra Chapter Two verse 17

    “We experience the world via the conjunction
    of the ‘eye’ of the Cit with the ‘I’ of the Citta.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 17

    “What is the nature of the Dṛśya or what can be perceived?
    It has three qualities; it reveals, it acts, it has substance.
    It has many components, the objects known and the means to know them.
    They serve two roles.
    When in strong association with the perceiver they produce pleasure or pain –
    when this association is absent they let the perceiver visualise its own nature.
    Experience of pleasure or pain is by the perceiver.
    Freedom from them is also its fundamental situation.
    This freedom is no different from Mukti.”
    – T Krishnamacharya on Yoga Sūtra Chapter Two verse 18

    “It can be helpful to reflect
    on the connection between
    the two perspectives
    I am Aware and
    I am Awareness.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 23

    “According to TKV Desikachar,
    the process of cultivating a
    state of meditation involves a
    connective triad consisting of:
    1. Dhyāta
    Or, that which initiates the link,
    namely the source of our awareness
    as in Cit, Ātman, or Puruṣa, in other
    words, something other than the mind.
    2. Dhyeya
    What it is I choose to link with, as in
    the place, point, object or Deśa, as in
    the Yoga Sūtra of Chapter Three verse 1.
    3. Dhyāna
    The activities of the psyche or Citta,
    as in that which acts as the link or
    connection between, for better
    or for worse, the Dhyāta or the
    meditator, and the Dhyeya or
    that which is meditated upon.
    Thus, according to this teaching,
    the continuity and quality of the link
    between the Dhyāta and the Dhyeya,
    is dependent on the consistency
    and clarity of the mind which links
    the meditator and the meditated.
    Hence, acccording to the teachings of
    T Krishnamacharya, you must first
    change the mind In order to meditate,
    rather than trying to meditate in
    order to change the mind.”
    – Paul Harvey on Yoga Sūtra Chapter Three verse 2

    Question:
    What is the most important aspect of Pūrva Aṅga?
    Response:
    “Pūrva Aṅga is essentially a process of elimination
    in which we eliminate those thoughts that are not relevant.
    In fact Yoga is the process of eliminating the undesirable
    so we can be linked with the desirable.
    It is the movement from Saṃyoga to Viyoga,
    from Saguṇa to Nirguṇa.
    But we must be careful how we define desirable or undesirable.”
    – TKV Desikachar Madras December 19th 1988

    “Saṃkalpa is a serious intention between and both from teacher and student.
    The less the depth of Saṃkalpa, the less the depth of what follows.
    Once this is there what is required is Saṃskāra.
    Saṃskāra is to remove the obstacles.
    In a way it is Viyoga, so that certain things that get in the way are put aside.
    Saṃskāra is like cleaning a vessel before you cook.
    Saṃyoga is where something begins to happen.
    The accumulation of what begins to happen between teacher and student is Saṃyoga.
    Proportionate to the quality of the three, the output will be different”
    – TKV Desikachar speaking with his senior Western students London 1998

    “Saṃkalpa is mainly the intention to do something,
    to be serious about my goal; it is something I feel I must do.
    Saṃkalpa must be on both parts: student and teacher,
    like when we chant ‘saha nāvavatu…’.
    Saṃskāra means the purification,
    like cleaning a vessel before I use it for another purpose.
    It’s a kind of Viyoga or separation.
    It concerns how I prepare for the situation.
    The Saṃskāra is an effort in both directions: student and teacher.
    Saṃyoga means there is a good exchange;
    something begins to happen, something is given and something is received.
    The best teaching has all three of these.”
    – TKV Desikachar speaking with his senior Western students London 1998

    “Better not to confuse the intention of
    ‘advanced’ Yoga Practices being as if
    the same as ‘advanced’ Āsana Practices.
    Accomplishment in the latter does
    not guarantee experiencing the same
    depth of accomplishment in the former.
    In reality pursuing ‘advanced’ Āsana Practices
    as if ‘advanced’ Yoga Practices, may well be a
    source of the confusion of Āsana with Yoga,
    resulting in a fusion of Āsana as if being Yoga.”
    – 108 Yoga Practice Pointers

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    This glossary with its similar, opposite and related concepts categories, supplemented by textual references and additional commentaries around the key word, is a both work in progress and constantly ever-expanding in terms of further cross-references, textual cross links and commentaries.
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