“Insight follows the aggregate
of deliberation on the gross,
to reflection on the subtle,
resulting in a feeling of happiness,
culminating in a sense of oneness.”
– Paul Harvey on Yoga Sūtra Chapter One verse 17

“In Sūtra 1.17 Patañjali presents Asmitā, or the
sense of oneness, as the culmination of four
successively subtle forms of a meditational
process, collectively described as Saṃprajñāta.
How do we compare Asmitā in this verse
with the Asmitā described as one of the
five Kleśa listed in Chapter Two verse 3?”
– Paul Harvey on Yoga Sūtra Chapter One verse 17

“The association with the world full of form and change starts with the mind.
Suffering caused because of this association is an eye opener.
Who is suffering?
Who is recognising it?
What can release this suffering?
All these questions exist because of this association,
even though it may often be painful”
– T Krishnamacharya on Yoga Sūtra Chapter Two verse 23

“Then, he has also some views on Dhyāna.
Since Dhyāna is a characteristic of mind,
and since the mind is limited to form,
Deśa, or the object of meditation,
must be Saguṇa and not Nirguṇa.
Ordinary people need certain forms,
certain visualisations, for Dhyāna,
so any Dhyāna which is Nirguṇa is only Vikalpa.”
– TKV Desikachar Switzerland 1981.

“In meditation,
one must make the transition
from the gross, that which has form
and which can be seen by the mind,
to the subtle, the formless.”
– TKV Desikachar Madras December 19th 1988

Bhāvana on Ujjāyī as a Dhāraṇā Deśa
“Ujjāyī is a form of Ajapā Mantra.”
– 108 Prāṇāyāma Practice Pointers

“The ‘seed’ of potential for Ujjāyī as an
Ajapā Mantra abides within the ‘shell’ of
a Bhāvana for Ujjāyī as a Dhāraṇā Deśa.
The Deśa also needs to be supported by
utilising a locationally relevant Ādhāra,
as in this instance, the Viśuddhi Ādhāra.
Further considerations can be around the
linking of the sound of Ujjāyī to a semantic
thought-form, by adding Mano Japā Rūpa to
this Ajapā, as some do through using Haṃsa.
However, one could argue that this formation,
shifting from a non-language feeling-based
experience into a language thought-based
experience, can detract from the Bhāvana,
in that a unique Lakṣaṇa of Ujjāyī resides in
the notion of ‘sounding’ without language.”
– 108 Prāṇāyāma Practice Pointers

A third factor, that of Respect for Responses
“We must consider our waking posture,
which is usually standing or sitting.
Thus, we have a gap from this to
the main Āsana we intend to use.
How can we bridge this gap from everyday
postures to Āsana, in terms of form and function?
Principles of practice are means to bridge the
gaps according to place, time and circumstances.
Here, we can cultivate steps towards being
able to access an Āsana with a conscious
composure, remaining awake within it
and maintaining a respect for responses.”
– 108 Yoga Planning Pointers
– The Viniyoga of Planning Principles Guidelines – Collected & Collated

A third factor, that of Respect for Responses
“Āsana are not automatic but can become so.
The inevitability of voluntary actions is that we
get used to them and they become involuntary.
With this, the risk factor is increased as well.
So what is voluntary and what is involuntary is
completely different when there is a ‘new’ response.
However, such a response needs to be linked to
something deeper than just merely a ‘tweaking’,
or ‘inventive’ variation within the form of the body.
Given, that in Yoga the breath is that which gives life.
By cultivating a role for, and the purpose of the breath,
we are creating and re-creating a situation for, not just new,
but also more subtle responses to occur and reoccur.
Within this field for enhancing awareness,
through our relationship with the breath,
the risk factor is reduced as well.”
– 108 Yoga Planning Pointers
– The Viniyoga of Planning Principles Guidelines – Collected & Collated

“Ultimately our experience of the Āsana is refined
through the mystery of the breath,
rather than the mastery of the form.”
– 108 Yoga Practice Pointers

The Viniyoga of Breath Ratio within Śikṣaṇa Practice
“Svatantra within Āsana, Mudrā
and Prāṇāyāma implies knowing
the self-application and effects of
breath ratios, as well as you know
the self-application and effects of
the forms of the important Āsana.”
– 108 Yoga Practice Pointers

“My Āsana study with Desikachar was shaped around forming
a deep appreciation of specific core principles that underpin
the planning and practice of Āsana and their application to
the individual student’s constitution, psychology and need.
Amongst these dozen or so core principles,
the first group when looking at any Āsana in depth,
were the concepts of Nāma, Rūpa and Lakṣaṇa, or the
name, form and characteristics of that particular Āsana.
Obviously, the Nāma is a useful tag point for identification
and the Rūpa is vital as a reference point for the Sat Viniyoga,
or right application of the Āsana within overall considerations of
initial direction and outcomes through such as the Śikṣaṇa Krama,
Rakṣaṇa Krama or Cikitsā Krama application of the forms used.
However, I do feel these days that our understanding in Āsana
practice is more dominated by the Nāma and the Rūpa with
little emphasis on the Lakṣaṇa or inherent characteristics of the
Āsana and how understanding this aspect can have a profound
effect on the approach, application and outcome of the overall or
accumulative impact of the Āsana within the student’s practice.
The teachings of Krishnamacharya around Āsana included
an in-depth appreciation of the Lakṣaṇa, especially around
the thirty or so primary and secondary support Āsana such as
Uttānāsana, Jaṭhara Parivṛtti, Bhujaṅgāsana or Januśīrṣāsana.”
– 108 Teaching Path Pointers

“Plan a practice where the Pradhāna or crown
is working dynamically in the Pūrṇa form
of Eka Pāda Uttāna Mayūrāsana.”
– Yoga Practice Planning and Theory Questions – Collected & Collated

Links to Related Posts:

• Can we find some similar characteristics between various individuals around Āsana practice…
• Compendium of Quotes from TKV Desikachar on the Yoga of T Krishnamacharya……
• Considerations for Vinyāsa Krama around Bakāsana……
• Guidelines for skilful dynamics within the performance of Vīrabhadrāsana……
• Longer term Vinyāsa Krama within the Viniyoga of the breath in Āsana……
• Nāma, Rūpa, Lakṣana – The Name, Form and Characteristics of Āsana
• The Viniyoga of Inversion as an Āsana or as a Mudrā……