nāḍī śodhana

Devanāgarī: नाडी शोधन Translation: channel cleansing Related concepts:nāḍī, śodhana, prāṇāyāma, pratiloma ujjāyī, sūrya bhedana

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Commentaries around

1. Primary Prāṇāyāma Breathing Techniques

Nāḍī Śodhana
– Pūraka Left Nostril
– Recaka Right Nostril
– Pūraka Right Nostril
– Recaka Left Nostril

“We normally practice Ujjāyī for a long time
before introducing Nāḍī Śodhana Prāṇāyāma.”
– TKV Desikachar Religiousness in Yoga Chapter Nine Page 121

“One primary prerequisite to initiation into a Tri Bandha Sādhana
was an ability in Prāṇāyāma within a Vinyāsa Krama around
Nāḍī Śodhana where the crown was 12 breaths at 12.12.12.12.
Thus, before being taught Uḍḍīyana Bandha,
an essential precursor to Mūla Bandha,
there needed to be competence in sustaining Prāṇāyāma,
within a Vinyāsa Krama leading to a crown ratio of 1.1.1.1.
with the Pūraka, Antar Kumbhaka, Recaka and Bāhya Kumbhaka
each set at 12 seconds in a crown of 12.12.12.12. for 12 breaths.
Thus, a Vinyāsa Krama peak of almost 10 minutes sustaining the crown
ratio within a Prāṇāyāma practice, with the entire practice itself totalling
over 20 minutes, all performed with one technique, Nāḍī Śodhana.
This technique alone is already in itself demanding to sustain with
an inaudible softness, as if pouring oil slowly and smoothly amidst
an almost undetectable deftness of finger movement on the nostrils.
A further example of how there needs to be an effortless skill in working
with the Kumbhaka and how our fluency with all four components of the
breath sets a practice direction and evolution in that, amongst other goals,
it determines our readiness to incorporate the Tri Bandha into our Sādhana.”
– 108 Mudrā Practice Pointers

“One aspect in the refinement of Nāḍī Śodhana is
the experience of the breath as a subtle vibration
rather than an audible sound.”
– 108 Prāṇāyāma Practice Pointers

“One aspect in the refinement of Nāḍī Śodhana
is an almost undetectable deftness within
the finger movement when using Mṛgi Mudrā,
whilst keeping them permanently on the nostrils.”
– 108 Prāṇāyāma Practice Pointers

“When using Mṛgi Mudrā in Nāḍī Śodhana
the control should not be at the nose.
The fingers are a guide more than a valve.
Thus you should not bend the nose.
The main control for the Inhale and for
the Exhale is in the chest not the fingers.”
– 108 Prāṇāyāma Practice Pointers

“What can define a transition between
Cikitsā Krama, Rakṣaṇa Krama and
Śikṣaṇa Krama in terms of Prāṇāyāma?
Is it that in Cikitsā Krama, the priority is
establishing an Āsana practice with the aim
of developing a core relationship with Ujjāyī?
Whereas, in Rakṣaṇa Krama, the priority is
establishing a Prāṇāyāma practice with the aim
of developing a core relationship, primarily
with Anuloma and secondarily with Pratiloma?
Whereas, in Śikṣaṇa Krama, the priority is
developing a core relationship, primarily with
Nāḍī Śodhana and secondarily with Sūrya Bhedana?”
– 108 Prāṇāyāma Practice Pointers

“Exploring Prāṇāyāma as Prāṇāyāma within
Śikṣaṇa Krama requires a mastery of the inhale.
For that using Viloma Ujjāyī is recommended.
It is a short-term technique taught specifically
to develop and refine the inhale as a preparation
for working with long-term bi-channel techniques
such as with Nāḍī Śodhana and Sūrya Bhedana.”
– 108 Prāṇāyāma Practice Pointers