Centre for Yoga Studies

The Art of Personal Sādhana

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    mahāmudrā

    Devanāgarī: महामुद्रा Translation: great seal Related concepts:mahā, mudrā, bandha, jivhā, jālandhara, uḍḍīyāna, mūla

    Appears in

    Haṭha Yoga Pradīpikā:

    Chapter 3: 14


    Click here for complete Saṃskṛta Index

    Commentaries around

    Question to T Krishnamacharya –
    Q: What must form an essential part of a person’s daily practice?
    A: A minimum of ten minutes in Antaḥ Trāṭakam, Ṣat Mukhī Mudrā
    or Mahā Mudrā is essential.
    – Śrī Krishnamacharya – The Pūrnācārya – published by the KYM in 1997

    “I had one student who could do all the Āsana and was shocked to discover that she was unable to stay in Mahāmudrā for eight breaths! She was so flexible that she took her body for granted.
    Mahāmudrā requires more than suppleness of the body.
    We must be able to stay and breathe in this posture.”
    – TKV Desikachar Religiousness in Yoga Chapter Four Page 45

    “The best Āsana for doing Bandha are inverted, lying flat, or sitting with the back straight.
    A classic posture is Mahā Mudrā, which is in fact, Mahā Mudrā only if the Bandha are used.”
    – TKV Desikachar ‘The Concept, Preparation and Techniques of Bandha’
    Religiousness in Yoga Chapter Fourteen Page 200

    “Another simple posture is Adho Mukha Śvan Āsana.
    the next step is to try them in some sitting postures such as Mahā Mudrā.
    These Bandha can also be done in the headstand.
    It is easy to do Bandha in this position because the lifting,
    Uḍḍīyana Bandha, and holding up, Mūla Bandha,
    of Apāna to the flame is almost automatic
    because now the Apāna is above the flame.
    If we can do the three Bandha in these postures,
    we are ready to introduce them in our Prāṇāyāma.”
    – TKV Desikachar ‘The Concept, Preparation and Techniques of Bandha’
    Religiousness in Yoga Chapter Fourteen Page 197

    “Another thing that he made very simple,
    and practical, is the use of Mahāmudrā.
    This is a very well known posture now,
    but when you start looking at the texts, nothing is clear there.
    He has incorporated the Āsana part,
    the breathing part, and the Mudrā part,
    and, he feels, Mahāmudrā,
    if practiced every day, prevents ill health.”
    – TKV Desikachar Switzerland 1981.

    “Even with my students they teach a posture
    because it has been taught to them.
    Like a rubber stamp.
    This is not Viniyoga.
    People have rigid ideas.
    For example, why Cakravākāsana for this lady
    after Śīrṣāsana, whereas something else,
    say Mahāmudrā for somebody else.
    So it does not follow what is good for me
    is good for everybody.”
    – TKV Desikachar France 1983

    “It must be remembered that Śīrṣāsana is
    one form of the Viparīta Karaṇī Mudrā.
    For those who cannot do Śīrṣāsana
    or any other inverted posture,
    alternatives do exist.
    Mahāmudrā is one such alternative
    which would yield similar benefits.”
    – TKV Desikachar KYM Darśanam February 1994

    “Prāṇāyāma, as with Āsana and Dhyānam, was taught according
    to the principles of Cikitsā, Rakṣaṇa and Śikṣaṇa Krama.
    Thus we have breathing practices ranging from Cikitsā,
    using simple ratio to settle an irregular breath, to Rakṣaṇa,
    with competence and fluidity with various basic techniques and mild ratios,
    to Śikṣaṇa and mastery of all techniques, and ratios and especially,
    the Kumbhaka with long holds both after the inhale and the exhale.
    The Vinyāsa Krama or steps in the evolution of practice are measured
    by our practice abilities and consistency and potential within our life situation.
    The longer term measure of our Prāṇāyāma potential is determined by
    our skilful efforts with all four components of the breath in Āsana.
    For example can we maintain 8.8.8.8. in Parśva Uttānāsana or 12.6.18.12 in Mahāmudrā?
    These days though, it seems that there is not much place for or interest in the use of Kumbhaka within breathing practices, if used at all, appear to be mainly Cikitsā or about recovery,
    or at best Rakṣaṇa or constitutional, rather than Śikṣaṇa and developmental.”
    – Paul’s Yoga Practice Overview & Theory Posts – Collected & Collated

    “Mahāmudrā is the bridge between Āsana and Prāṇāyāma.”
    – 108 Mudrā Practice Pointers

    “Mahāmudrā is a rock on which to take a seat,
    amidst the swirling waves in the ocean that is the Citta.”
    – 108 Mudrā Practice Pointers

    “To experience the intention behind
    the Bandha, the body must be prepared.
    For example if the pulse remains increased
    after their use, it is an indicator that we are not ready.
    If excessive tension is felt in the areas where they are used,
    then an indicator that we are not ready for Bandha in Mahāmudrā.”
    – 108 Mudrā Practice Pointers

    Links to Related Posts:

    • Plan a practice to stay 12 breaths each side in Mahā Mudrā.
    • Plan a practice to stay in Mahā Mudrā with Uḍḍīyāna Bandha.
    • Religiousness in Yoga Study Guide: The Concept, Preparation and Techniques of Bandha
    • Śīrṣāsana as a Viparīta Karaṇī Mudrā
    • Vinyāsa Krama for the Catur Bandha in Mahā Mudrā for an advanced Āsana student……

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    Related

    This glossary with its similar, opposite and related concepts categories, supplemented by textual references and additional commentaries around the key word, is a both work in progress and constantly ever-expanding in terms of further cross-references, textual cross links and commentaries.
    As it continues to develop your comments and suggestions on your experience and how it may be enhanced are very welcome via this link, thank you.
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