Centre for Yoga Studies

The Art of Personal Sādhana

  • email
  • Facebook
  • Twitter
  • Instagram
  • RSS
Skip to content
  • email
  • Facebook
  • Twitter
  • Instagram
  • RSS
YOGA TEACHINGPersonal & Professional Study
YOGA JOURNALNews Views & Blog Posts
YOGA FREENOTESOnline Texts & Commentaries
  • WELCOME TO YOGA FREENOTES

    • Yoga Texts & Freenotes Overview
    • All Yoga Posts as PDF’s Repository
    • – Saṃskṛta Indexed Word Glossary
    • – Prāṇāyāma & Bandha Glossary
    • – Āsana & Mudrā Glossary
  • YOGA SŪTRA FREENOTES

    • Yoga Sūtra Freenotes Overview
    • – Yoga Sūtra All Verses Online
    • – Yoga Sūtra – Chapter 1
    • – Yoga Sūtra – Chapter 2
    • – Yoga Sūtra – Chapter 3
    • – Yoga Sūtra – Chapter 4
    • – Yoga Sūtra PDF Workbooks
    • – Krishnamacharya’s Sūtra Quotes
    • – Desikachar’s Sūtra Quotes
    • – Paul’s Sūtra Quotes
    • – Paul’s Sūtra Questions Collated
    • – Paul’s Sūtra Key Words Collated
  • SĀṂKHYA KĀRIKĀ FREENOTES

    • Sāṃkhya Freenotes Overview
    • – Sāṃkhya Kārikā All Verses Online
    • – Sāṃkhya Kārikā PDF Workbook
    • – Desikachar’s Sāṃkhya Quotes
    • – Paul’s Sāṃkhya Quotes
  • BHAGAVAD GĪTĀ TEXTS FREENOTES

    • Bhagavad Gītā Freenotes Overview
    • – Bhagavad Gītā Quotes Collated
    • – Bhagavad Gītā All Verses Online
    • – Bhagavad Gītā Chapters 1-6
    • – Bhagavad Gītā Chapters 7-12
    • – Bhagavad Gītā Chapters 13-18
    • – Bhagavad Gītā PDF Workbooks
    • Gītārtha Freenotes Overview
    • – Gītārtha Quotes Collated
    • – Gītārtha All Verses Online
    • – Gītārtha PDF Workbook
  • UPANIṢAT TEXTS FREENOTES

    • Upaniṣat Texts Freenotes Overview
    • – Upaniṣat Textual Quotes Collated
    • – Upaniṣat Texts PDF Workbooks
  • HAṬHA YOGA TEXTS FREENOTES

    • Haṭha Yoga Freenotes Overview
    • – Haṭha Pradīpikā All Verses Online
    • – Yoga Rahasya Quotes Collated
    • – Yoga Rahasya All Verses Online
  • ĀYURVEDA LIFESTYLE FREENOTES

    • Āyurveda Freenotes Overview
    • – Āyurveda Collected Posts
  • WELCOME TO THE CENTRE FOR YOGA STUDIES

    āsana

    Root: ās Devanāgarī: आसन Translation: particular posture; sitting, sitting down; seat, place, stool; abiding, dwelling Similar words:pīṭham, mayūrāsana Related concepts:haṭha, kriyā, prāṇāyāma, mudrā, viparīta, bandha, pratyāhāra, dhyāna, prathamā, madhyamā, prauḍha, ujjāyī, pratikriyā, sarvāṅgāsana, paścimatāna, śavāsana, pūrvatāna, koṇa, śvan, jānu, bakāsana, utkaṭa, uttāna, upaviṣṭa, ūrdhva, adhas, daṇḍa, nāva, kapota, bheka, kukkuṭa, garbha, gaṇḍa, mayūra, piñcha, vṛkṣa, vṛścika, prasṛta, prasārita, pādāñguṣṭha, matysa, bhujaṅga, samasthiti, tāḍāsana, adho mukha śvānāsana, ūrdhva mukha śvānāsana, daṇḍāsana, cakravākāsana, vīrabhadrāsana, vīrabhadra, bhujaṅgāsana, uttānāsana, utkaṭāsana, parśva uttānāsana, janu śīrṣāsana, caturaṅga daṇḍasana, parśva trikoṇāsana, parivṛtti trikoṇāsana, prasārita pāda uttānāsana, upaviṣṭa koṇāsana, baddha koṇāsana, ardha matsyendrāsana, brahmāsana, sukhāsana, pādāsana, supta padaṅguṣṭhāsana, apānāsana, halāsana, paścimatānāsana, sukha, padmāsana, supta, aṣṭāṅga, śīrṣāsana, pratikriyāsana, vinyāsakrama, vinyāsa, upāsana, mayūra, vṛkṣāsana

    Appears in

    Yoga Sūtra:

    Chapter 2: 29 , 46

    Haṭha Yoga Pradīpikā:

    Chapter 1: 17
    Chapter 2: 1

    Yoga Rahasya:

    Chapter 1: 31 , 45 , 89


    Click here for complete Saṃskṛta Index

    Commentaries around

    “The greater the Śraddhā, the more meaning there is in the techniques such as Āsana, Prāṇāyāma, Dhyānam, Bhāvana and all the others. Without Śraddhā, these techniques have little effect on the state of the mind and the progress to Citta Vṛtti Nirodha.
    However, sometimes some minor benefits that we get through Āsana or Prāṇāyāma practice, open up the Śraddhā within us. Śraddhā is within each of us but is covered. It could be any experience that uncovers it.”
    – TKV Desikachar on Śraddhā in the Yoga Sūtra

    “Can these four Yoga Aṅga – Yama, Niyama, Āsana, Prāṇāyāma
    – be practiced by everyone at every stage of life?
    How often and how long should one practice?
    How can we adapt our practice to changing circumstances?
    These questions and others like them must be answered by a competent teacher,
    according to each student’s individual circumstances.”
    – T Krishnamacharya on Yoga Sūtra Chapter One verse 30

    “The use of Āsana and Prāṇāyāma is
    an investigation of all the 9 obstacles
    in Yoga Sūtra Chapter One verse 30.
    Those things that come between how
    we are and how we would like to be.”
    – Paul Harvey on Yoga Sūtra Chapter One verse 30

    “In Veda, Āyurveda and Yoga Sūtra,
    various techniques are offered to aid in healing the sick.
    In addition to herbs and medicines,
    Patañjali suggests that Āsana, Prāṇāyāma and Vairāgya
    are particularly beneficial and, as any medicine,
    should be used with care and discipline.”
    – T Krishnamacharya on Yoga Sūtra Chapter One verse 34

    “Prāṇāyāma must be properly instructed.
    The posture used, seated erect for example,
    is also important.
    The duration and regularity in terms of time
    is also as important as proper instructions.”
    – T Krishnamacharya on Yoga Sūtra Chapter One verse 34

    “Āsana alone can be a support for
    our outer relationship with living.
    However, can Āsana alone be a support
    for our inner relationship with dying?
    Especially as our disposition towards
    clinging to life is continuous, as well as
    being deeply buried within our psyche.
    This is why Yoga offers vehicles beyond Āsana
    for the inner and especially the final journey.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 9

    “In the Yoga Sūtra,
    Āsana is basically something linked to Prāṇāyāma,
    since Prāṇāyāma is a very important practice there,
    linked to Dhāraṇā.”
    – TKV Desikachar on Yoga Sūtra Chapter Two verse 46

    “This verse is commenting on the attainment of an Āsana as
    an appurtenance, or foundation for more subtle practices.
    Better not to confuse the vehicle with the direction.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 46

    “Āsana, according to this verse, needs to correlate the
    two qualities of steady attentiveness and spacious clarity.
    However, we are being offered qualities that are actually
    the fruits or outcome of the practice guidelines in the next verse.
    Hence this verse is a definition, but one that arises as an outcome
    of an attitude around the way we go about exploring Āsana.
    Although it could be added that this definition also relates
    to the direction of one’s Āsana practice as a whole.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 46

    “The experience known as Sthira Sukham Āsanam,
    described in Yoga Sūtra Chapter Two verse 46,
    arises as a fruit of Yoga Sūtra Chapter Two verse 47,
    from melding the mastery of outer stillness in the world,
    described as Prayatna Śaithilya, or relaxation of continued effort,
    with the mystery of inner openness to the beyond,
    described as Ananta Samāpatti, or unity in the infinite.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 46

    “The practice of Āsana without breathing and
    without remembering Ananta has no value.”
    – T Krishnamacharya on Yoga Sūtra Chapter Two verse 47

    “Our continued effort
    with the breath in Āsana
    is that which helps to enliven
    our various levels of interaction
    with our inner and outer worlds as
    expressed through the Pañca Maya.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 47

    “Two primary roles in the adaptation of Āsana
    to the needs and potential of the student are
    Facilitating a decrease of tension within the body
    whilst
    Facilitating an increase of attention within the breath.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 47

    “From Yoga Sūtra Chapter Two verse 47
    Krishnamacharya taught that the
    common denominator for successfully uniting
    both aspects of relaxation and the infinite
    within the practice of Āsana is the breath.
    He saw it as continued effort
    and synonymous with giving life.
    The continued effort of the breath is that which gives life.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 47

    “When working with the Breath in Āsana,
    it’s perhaps less appealing initially,
    but ultimately more attractive, satisfactory
    and effective, to integrate a Bhāvana on
    the Samāpatti of Śaithilya and Ananta,
    within a developmental Prāṇāyāma Sādhana,
    focused towards the Siddhi of Dīrgha or Length,
    supported by its counterpoint, Sūkṣma or Subtlety.”
    – Paul Harvey on Yoga Sūtra Chapter Two verse 50

    “The state of Dhyānam is possible in a seated posture.
    If a person lies down, it may induce sleep.
    If a person walks and moves about,
    he may be distracted by the objects around him.
    This posture must be in a place
    where the mind will not be distracted.”
    – T Krishnamacharya on Yoga Sūtra Chapter Three verse 2

    “For me, still to this day, one of the simplest, direct and most succinct definitions on the purpose of Āsana within the processes and practices of Haṭha Yoga, is the definition offered in the Haṭha Pradīpikā Chapter One verse 17.
    It is a definition valid for any situation, discussion or presentation, or as a response to questions from any background, or level of interest around why we practice Āsana.
    It can also be a springboard to linking physiological qualities, such as the relationship of Agni, to the energetic qualities of health and lightness of limb. Or investigation of the commentary by Brahmānada, as that explores psychological qualities such as the relationship of the Guṇa, Rajas, to mental qualities such as steadiness.”
    – Paul Harvey on Haṭha Pradīpikā Chapter One verse 17

    “There are different body structures,
    therefore not all Āsana are enjoined.”
    – From T Krishnamacharya’s composition,
    the Yoga Rahasya Chapter One verse 31

    “Without Āsana,
    Prāṇāyāma cannot become accomplished.
    Without containing Prāna,
    the mind cannot achieve steadiness.”
    – From T Krishnamacharya’s composition,
    The Yoga Rahasya Chapter One verse 45

    “There is a particular order of teaching Āsana,
    so also an order to follow when teaching Prāṇāyāma.”
    – From T Krishnamacharya’s composition,
    The Yoga Rahasya Chapter One verse 89

    “Without mastering Āsana and
    regulating the inhale and exhale in Āsana,
    the Āsana will not produce the desired fruits.”
    – From T Krishnamacharya’s composition,
    The Yoga Rahasya

    “Without Āsana practice Prāṇāyāma cannot be mastered.
    Without Prāna Nirodha mind will not become stable.”
    – TKV Desikachar commentary on T Krishnamacharya’s composition, the Yoga Rahasya

    “Mind should follow the breath.
    Exhale, Inhale and Retention support life.
    So during Āsana it is desirable that the mind must follow them.”
    – TKV Desikachar commentary on T Krishnamacharya’s composition, the Yoga Rahasya

    Question to T Krishnamacharya:
    How necessary is Yoga in these modern times?
    Krishnamacharya’s Response:
    “For the strengthening of the Aṅga,
    Yoga Āsana practiced with long
    inhalation and exhalation is important.
    To reduce the disturbances of the mind,
    to gain mental strength and to increase longevity,
    Prāṇāyāma is necessary.”

    ‎”Use Āsana for problems of the body and
    Prāṇāyāma for problems of the mind.”
    – T Krishnamacharya

    “Just because a person is not practicing Dhyāna,
    but only Āsana,
    we cannot say he is not practicing Yoga.
    In a body, each limb belongs to the body.
    Similarly, practice of Āsana is indeed
    practice of Yoga to that extent.”
    – T Krishnamacharya 1984

    “To raise the awareness of the pupil to Dhyāna,
    the teacher must instruct the pupil during Āsana practice.”
    – T Krishnamacharya 1984

    “All Āsana cannot be mastered by any one individual.”
    – T Krishnamacharya 1984

    “We cannot say that this Āsana or this
    Prāṇāyāma can be given for this disease.”
    – T Krishnamacharya 1984

    Question to T Krishnamacharya –
    Q: How long should a person stay in an Āsana every day?
    A: A person must stay in any one Āsana for at least fifteen minutes.
    From the book ‘Śrī Krishnamacharya – The Pūrnācārya’, published by the KYM in 1997

    “Breath is indispensable for life
    and its absence is death.
    Hence the necessity to make it longer
    and accumulate the Prāṇa Śakti.
    Just as a rich man accumulates money slowly to get wealthy,
    so also one should practice every day,
    through the proper use of the breath in Āsana,
    to maintain good health.”
    – T Krishnamacharya‘s response to a question on breathing.

    “One could say, of course, that I have taught Yoga to hundreds of people, of different ages, states, origins, but by Yoga I mean only postures and breath control, and do not count meditation or interpretation of the texts.
    These I have only taught to a few people and only to those I deemed worthy after several interviews, designed to give me an idea of their personality and the firmness of their intentions.
    I discouraged those who appeared to have superficial reasons for learning Yoga, but never those who came to find me because of health problems and who had frequently been turned away by the medical profession.”
    – From interviews with T Krishnamacharya by Sarah Dars, published in Viniyoga Review no 24, December 1989

    “It is a mistaken concept that certain Āsana are only postures for meditation.
    If we look at the commentary of Vyāsa, we see that the postures
    he elucidates are so complicated that we can’t be in Dhyāna.
    We can feel these different postures and we can’t stay in them.
    Two of these are Uṣṭrāsana and Krauñcāsana,
    These are very difficult postures in which to remain.”
    – TKV Desikachar Religiousness in Yoga Chapter Ten Page 133

    “Āsana and Prāṇāyāma can, according to the Yoga Sūtra,
    create a condition where the mind is fit for Dhāraṇā.”
    – TKV Desikachar Religiousness in Yoga Chapter Eleven Page 156

    “What can be done can be easily established if we observe our breath in Āsana.”
    – TKV Desikachar ‘Choosing a Ratio and the proper technique for Prāṇāyāma’
    Religiousness in Yoga Chapter Twelve Page 163

    “The best Āsana for doing Bandha are inverted, lying flat, or sitting with the back straight.
    A classic posture is Mahā Mudrā, which is in fact, Mahā Mudrā only if the Bandha are used.”
    – TKV Desikachar Religiousness in Yoga ‘The Concept, Preparation and Techniques of Bandha’ Chapter Fourteen Page 200

    “Another simple posture is Adho Mukha Śvan Āsana.
    the next step is to try them in some sitting postures such as Mahā Mudrā.
    These Bandha can also be done in the headstand.
    It is easy to do Bandha in this position because the lifting,
    Uḍḍīyana Bandha, and holding up, Mūla Bandha,
    of Apāna to the flame is almost automatic
    because now the Apāna is above the flame.
    If we can do the three Bandha in these postures,
    we are ready to introduce them in our Prāṇāyāma.”
    – TKV Desikachar Religiousness in Yoga ‘The Concept, Preparation and Techniques of Bandha’ Chapter Fourteen Page 197

    “Don’t go on doing a lot of postures; if you do,
    I think the meaning in Yoga will be lost.”
    – TKV Desikachar Religiousness in Yoga ‘Various Approaches to Yoga’ Chapter Seventeen Page 238

    “People often ask me if I teach Āsana.
    When I say “Yes, I do.” they say,
    “Oh you are a Haṭha Yogi.”
    If I talk about the Yoga Sūtra
    they say, “You are a Rāja Yogi.”
    If I say I am chanting the Veda,
    they say, “You are a Mantra Yogi.”
    If I say I just practice Yoga,
    they can’t understand.
    They want to put a label on me.”
    – TKV Desikachar Religiousness in Yoga ‘Various Approaches to Yoga’ Chapter Seventeen Page 247-248

    Three questions given by Desikachar in a retreat in 1978
    “1. What interests you most in Āsana?
    2. What distinguishes Āsana from Prāṇāyāma?
    3. What is hard to teach? Āsana and/or Prāṇāyāma, or something else?”
    – TKV Desikachar Switzerland 1978

    “By observing how the breath responds in Āsana
    i.e. Forward Bends. Backward Bends. Lying Postures. Inverted Postures. Twist Poses.
    As to whether there is a better quality in either inhalation or exhalation,
    one can decide how to proceed in Prāṇāyāma.”
    – TKV Desikachar Switzerland 1978

    1. Know the Breath from the feelings in the Āsana.
    2. Choose a ratio close to that used in Āsana.
    3. Choose a technique to suit the day.
    4. Choose a proper posture for the spine.
    – TKV Desikachar Switzerland 1978

    “One’s own actions can develop or make one Guṇa prominent.
    Thus we can plan or practice Āsana or Prāṇāyāma to promote one Guṇa.
    The practice of Yoga can influence the Guṇa.
    the room where you practice can affect the Guṇa
    by photographs, colour of paint, smell.
    Even Mantra are classified into Guṇa.
    This needs to be considered when using Mantra for the individual.
    Meditation can be related to the Guṇa.
    The object of our inquiry must be related or,
    in accordance with what we want to produce.”
    – TKV Desikachar on Sāṃkhya and Yoga

    “We can use Āsana to explore the breath and
    then use Prāṇāyāma to experience the breath.”
    – From personal lessons with TKV Desikachar

    “The Āsana in which you sit can alter the characteristics of the breath.”
    – TKV Desikachar 1980

    “You put your mind in one place during an Āsana,
    the body compensates and places the escape elsewhere.”
    – TKV Desikachar 1980

    “For standing Āsana it is not necessary to close the eyes.
    As standing Āsana are usually at the beginning of a practice,
    it can sometimes be distracting to close the eyes,
    because of all the visual activity proceeding the practice.
    Having the eyes open can also stop you becoming unbalanced as you move.
    The eyes can be useful for checking alignment within dynamic movements.
    You may not observe this with the eyes closed.
    However, the attention with the eyes open should be passive and aware.”
    – TKV Desikachar 1980

    “He has very clear ideas on the Ṣat Kriyā and the Mudrā.
    He believes that if a person does Āsana properly, with breathing,
    and has certain restraints regarding food, there is no need for these Kriyā.”
    – TKV Desikachar Switzerland 1981

    “Another important thing that he has understood is
    that these Āsana should not be taken one by one,
    they have to be taken as a group and as a composition.
    This means you don’t do headstand on Monday,
    shoulder stand on Tuesday,
    you do your group of Āsana linked like words in a sentence.”
    – TKV Desikachar Switzerland 1981

    “He also presented the idea that Āsana is Svādhyāya,
    making you understand something about yourself.”
    – TKV Desikachar Switzerland 1981

    “Because of the different uses of breathing,
    he strongly believes that the beginning of Prāṇāyāma is in Āsana.
    Āsana, and Āsana alone,
    with proper breathing techniques,
    leads you to the idea of Prāṇāyāma.”
    – TKV Desikachar Switzerland 1981

    “Yoga is a mirror of ourselves.
    It is Darśana Vijñāna,
    the science of observation,
    not just doing Āsana.
    In teaching Yoga this implies:
    – that we may not transmit exactly the way we have been taught.
    – that we may not teach what we ourselves are doing.”
    – TKV Desikachar 1981

    “Āsana practice is the beginning that will confirm the importance of observation.
    Through observation in Āsana practice we can learn a lot about ourselves
    and even probably meet ‘that‘ which is observing inside us.”
    – TKV Desikachar 1981

    “We cannot escape the need for adaptation.
    Adaptation is the application of certain principles to achieve certain results.
    It implies:
    – Knowing where the person is now.
    – Knowing where we want them to go.
    Adaptation is the means used to bridge this gap.”
    – TKV Desikachar 1981

    “Āsana offers a purpose more than just physical.
    Āsana offers a link of the mind to the physical.
    Āsana introduces the concept of Dhyāna as a practice.
    Āsana seeks to minimise the Saṃskāra
    or habitual patterns which dull the mind.
    In doing so it seeks to increase our sensitivity to ourselves,
    what is around us and its corresponding influences,
    and to what sustains us.”
    – TKV Desikachar

    “Patañjali has proposed 3 approaches to verify the indications.
    Tapas – Process of action
    Food, Āsana, Prāṇāyāma.
    You will be doing something that you will not be habitually doing.
    For example one day no salt, cigarettes, Prāṇāyāma.
    Tapas is from the root to create thirst.
    It means to deprive.
    It will tell us about ourselves.
    It will reveal our Saṃskāra and Pariṇāma or changes in ourselves.
    From this Tapas we will start to get an indication of our individual nature.
    For example active or lazy.
    Tapas indicates the the beginning of the Bheda, through the Bhāva.”
    – TKV Desikachar France 1983

    “One important thing is food.
    Different combinations have different effects on the body.
    When we work with Āsana and Prāṇāyāma we need to consider which foods to take.
    Your mind is according to your food.
    The type of food you take influences your mind.
    The subject is vast.”
    – TKV Desikachar France 1983

    “Śikṣaṇa Krama – do something perfectly or correctly.
    Anything is taught to achieve perfection in the practice of Āsana and Prāṇāyāma.
    In other words teaching children and healthy people where you can take risks with no problems.
    Not a valid approach for groups.
    We need to use intelligence and Viveka,
    not follow the idea of no pain, no gain to become painless,
    or to get to a point without suffering.”
    – TKV Desikachar France 1983

    “Even with my students they teach a posture
    because it has been taught to them.
    Like a rubber stamp.
    This is not Viniyoga.
    People have rigid ideas.
    For example, why Cakravākāsana for this lady
    after Śīrṣāsana, whereas something else,
    say Mahāmudrā for somebody else.
    So it does not follow what is good for me
    is good for everybody.”
    – TKV Desikachar France 1983

    “Some people say they practice Āsana, Prāṇāyāma, Meditation.
    Among these things which is close to Sādhana
    and which is not close to Sādhana?”
    – TKV Desikachar France 1983

    “Whenever we look at an Āsana
    we must look at two sides:
    1. What is involved in the Āsana
    2. Who is doing the Āsana”
    – TKV Desikachar 1984

    “The first step in the practice of Āsana is the linking of the mind to movement and breath.”
    – TKV Desikachar Madras 1988

    “The breath makes Āsana part of Yoga.”
    – TKV Desikachar England 1992

    “Yoga  is often attributed to Āsana practice alone,
    which is only the part of Yoga focusing on the physical body or servicing the body.”
    – TKV Desikachar England 1992

    “The body can be underused, overused and abused,
    we need to be aware of what is happening with the body,
    but we also need to do something for the mind.”
    – TKV Desikachar England 1992

    “There are two categories of practice, the Śikṣaṇa Krama way, according to the rules,
    or the Cikitsā Krama way, the application or adaptation of a posture
    to suit a particular person or a particular situation.
    Where postures need to be adapted to suit particular bodies and their limitations.
    The authority for the postures comes from the teacher,
    although some rules are indicated in the texts.”
    – TKV Desikachar England 1992

    “There are many postures to suit a variety of different body types.
    Āsana practice is to prepare the body, to sit for Prāṇāyāma.
    Āsana also helps to get rid of impurities
    so that it is possible to do something deeper, inside the mind.”
    – TKV Desikachar England 1992

    “There are simple postures for Prāṇāyāma and Dhyāna,
    so that we can relax in the body and not be distracted by it.
    There are challenging postures,
    to enable us to master our bodies and for young people who
    will be engaged by the performance aspect of the posture.
    There are also corrective postures.”
    – TKV Desikachar England 1992

    “It is possible to be aware of the state of the mind
    by observing the body during an Āsana practice.”
    – TKV Desikachar England 1992

    “In Āsana practice there is an expression of the state of the mind,
    the practice can be a handle to hold the mind.”
    – TKV Desikachar England 1992

    “The action of a posture may be delayed
    because the student has tried to force the body into a posture.
    Never measure something by its immediate effects.”
    – TKV Desikachar England 1992

    “Āsana practice should take into account:
    – Where we are – Where am I?
    – Where are we going – What is my goal?
    – What happens afterwards – How do I continue with my life?
    There needs to be steps in the sequence to lead to the goal and counter postures
    to prepare for life after the Yoga practice, a Vinyāsa.
    The postures need to be visualised prior to being executed, Bhāva.
    It is important to prepare for life after a Yoga practice
    so that a student is fully prepared for life outside the Yoga room.”
    – TKV Desikachar England 1992

    “The position of a particular posture in an Āsana practice will change its effect
    and will influence a particular part of the body.”
    – TKV Desikachar England 1992

    “Moving into the posture after the exhale (Bāhya Kumbhaka) is an adaptation.”
    – From study notes with TKV Desikachar England 1992

    “The focus should be on
    the contraction of the abdomen or
    the expansion of the chest during Āsana.”
    – TKV Desikachar England 1992

    “How do we know that the Āsana has served its purpose?”
    – TKV Desikachar England 1992

    “- Yoga has been adapted to life in the modern day.
    – Any posture far removed from the normal posture is a problem and therefore risky if there is any problem with the body.
    – Inverted postures present problems because of the tension that people carry in their necks.
    – Postures that create tension should be avoided.
    – Moving into the posture after the exhale is an adaptation.
    – Krishnamacharya designed aids to help people achieve postures.
    – Slow movement has a different action on the muscles, it is harder work.
    – The role of Āsana, its purpose and goal must be respected.
    – Opposite postures are a handicap but can help us to appreciate something different in a posture.
    – We must feel ourselves and what is happening in a posture.
    – TKV Desikachar England 1992

    “It is usual to start a lesson be it, Chanting, Sūtra, Āsana, with a prayer.
    A prayer is recited and repeated according to the study or purpose of the lesson,
    to show respect for the subject.
    When the student is familiar with the prayer they repeat it along with the teacher.
    Focusing the study with a prayer helps to recall earlier study, lineage of repetition.
    The student is given the meaning later.
    After the lesson another prayer is said to offer thanks for the learning and for everybody.”
    – TKV Desikachar England 1992

    “Question: What were his favourite foods?
    Response: You might be surprised that he relished good food. He was from Andhra and so, relished food that was hot and spicy. He was very fond of sweets and would eat them in great quantities. With all this he would always have ghee. Ghee formed a very important part of his diet and whatever the food, it would be accompanied with large quantities of ghee. Of course, he was also doing Āsana for three to four hours daily in addition to his Prāṇāyāma. His practice was extremely rigorous and that may account for his being able to handle these large quantities of spicy and sweet foods.”
    – TKV Desikachar answering questions on T Krishnamacharya

    “It must be remembered that Śīrṣāsana is
    one form of the Viparīta Karaṇī Mudrā.
    For those who cannot do Śīrṣāsana
    or any other inverted posture,
    alternatives do exist.
    Mahāmudrā is one such alternative
    which would yield similar benefits.”
    – TKV Desikachar KYM Darśanam February 1994

    “The practices dealing with the body and the
    breath are known as Āsana and Prāṇāyāma.
    They are interlinked, in Āsana the body is
    the focus and the breath serves this focus.
    In Prāṇāyāma the regulation of the breath is the focus,
    the body is prepared adequately via Āsana for this
    regulation to materialise without any resistance.”
    – TKV Desikachar Madras 1996

    “The purpose of Āsana and Prāṇāyāma are twofold,
    to reduce symptoms of ill-health or,
    to prepare the mind towards fulfilling the main
    emphasis of Patañjali, which is Meditation.
    However according to the teaching I have received,
    both of these roles can be fulfilled with
    relatively few Āsana postures and Prāṇāyāma techniques.”
    – TKV Desikachar Madras 1996

    “Krishnamacharya’s understanding of Cikitsā
    or Yoga therapy and the arrangement and
    sequencing
    of postures, along with modifying
    the posture and using different breathing
    patterns, plus the use of sound and different
    Bhāvana or mental foci was profound.
    This allowed for many possibilities to be
    offered, for a great number of students
    with problems, from a range of relatively
    few postures and breathing techniques.”
    – TKV Desikachar Madras 1996

    “When is an Āsana an Āsana?
    When does it become one?”
    – TKV Desikachar

    “Conscious breathing is one of the greatest tools to influence the effect of the postures
    without changing the posture.”
    – TKV Desikachar

    “We can really see the weaknesses of a body when a person is becoming tired. Sometimes we have to bring the body to its limits for physical or psychological weaknesses to appear.
    This need not take a long time; we just have to put the person in an unusual position. Someone who can easily sit in Daṇḍāsana, for example, could be asked to lean backward.
    Someone who can do Utkaṭāsana could be asked to squat with one foot slightly in front of the other, comparing the two sides.
    Breathing can also be used. It is possible to save time by asking someone to add special breathing requirements to their Āsana. They will be concerned about these and problems in the body may appear faster. For example repeating Uttānāsana twelve times with a 15″ inhale.”
    – TKV Desikachar

    “A great number of postures, notably most standing postures,
    have doubtless come to us directly from the Professor,
    who would have introduced them as appropriate
    to the needs of modern times.
    Amongst the standing postures, Uttānāsana, Parśva Uttānāsana,
    Utthita Trikoṇāsana and Utthita Parśva Koṇāsana,
    are examples which the Professor himself codified.”
    – Claude Maréchal was a  student of TKV Desikachar from 1969-2002.
    This is an extract from Claude talking about what
    Desikachar told him about his father, Krishnamacharya.

    “Where do Āsana lead us?
    1. For seated practices. (Adhyātmika – Concerning our essence)
    To stay in a stable position with the spine erect for Dhyāna or preparation for Dhyāna.
    2.  For health. (Cikitsā – Therapeutics)
    They do something for the energy flow of the body.
    3. Ability to master the body. (Śakti – Power)
    Not necessarily to promote health but to show that we can master the body.
    Often these are good for health, though many are only useful as challenges.”
    – From my study notes with TKV Desikachar.

    “Plan an Āsana practice to include:
    1. Ardha Uttānāsana – Stay 8 Breaths
    2. Śīrṣāsana – Stay 20 Breaths
    3. Navāsana – Stay 8 Breaths
    – A  question given it me by TKV Desikachar during our 121 lessons in 1980
    when learning Āsana practice planning skills.”

    “When moving out of Paścimatāna Āsana such as Uttānāsana.
    Focus on the arms bringing the back up.
    Rather than the back bringing the arms up.”
    – 108 Postural Practice Pointers

    “As a teacher it can be helpful to consider Āsana as
    vehicles to transmit the fundamental principles of practice.
    For example a cardinal principle of practice is that Āsana
    have a primary and a secondary aspect within their Lakṣana.
    Thus we must inquire into what is the primary aspect in this Āsana,
    and what is the secondary aspect in this particular Āsana?
    The idea is to maintain the integrity of the primary characteristics.
    Thus we may need to compromise the secondary characteristics.
    For example in Uttānāsana to sustain the primary work in the spine
    we can consider a secondary compromise by releasing the knees.”
    – 108 Postural Practice Pointers

    “It is possible to achieve the form of an Āsana
    without accessing the function of an Āsana.
    In other words accessing the form of an Āsana
    does not guarantee accessing its function.”
    – 108 Postural Practice Pointers

    “Backbends disturb the length and quality of the exhale,
    in that they impact the Apāna and push the Mūla downwards.
    Thus we need to consider an appropriate Pratikriyā Āsana
    to compensate for this disturbance to the Apāna Sthāna.
    Hence Pratikriyā such as Apānāsana to restore the Apāna.”
    – 108 Postural Practice Pointers

    “Āsana is about the movement of the force,
    rather than the force of the movement.”
    – 108 Postural Practice Pointers

    “In terms of the transition within
    a Vinyāsa Krama from standing
    Āsana to lying Āsana and beyond.
    Choose not to lie down for  Śavāsana
    until you feel you don’t need to lie down.”
    – 108 Postural Practice Pointers

    “Pratikriyāsana have counterpostural, compensational and transitional roles
    and are applied at specific points in the practice in order to
    maintain a sound physiological and psychological base.
    This principle has an important role in how
    we link the different aspects of the Āsana practice,
    how we close the practice or how we integrate the Āsana
    element of the practice into other aspects of our Yoga practice.
    There are specific guidelines around how
    they can be integrated into the practice,
    the first of which is that the counter posture needs to
    be mastered before a particular Āsana is attempted.
    This principle is especially important when
    attempting to integrate more complex Āsana such as
    Sarvāṅgāsana and Bhujaṅgāsana into our practice.
    – 108 Postural Practice Pointers

    “How do we know that a student is ready to attempt
    a more progressive Āsana such as Sarvāṅgāsana?
    From following a core principle in the teachings of Vinyāsa Krama.
    In that, the Pratikriyāsana for a particular Āsana needs
    to be mastered before that particular Āsana is attempted.
    For example, if we want to teach Sarvāṅgāsana,
    because it will have a specific potential for the particular student,
    then we teach the Pratikriyāsana Bhujaṅgāsana first.
    So the student first works around Bhujaṅgāsana
    within their personal practice and the information that arises
    guides the teacher as to their readiness for, in this case, Sarvāṅgāsana.
    The information arising from observing how
    the student practices Bhujaṅgāsana guides
    the teacher as to the appropriateness of Sarvāṅgāsana.
    The information that feeds back may be on the level
    of Annamaya, Prāṇamaya, Manomaya or beyond.
    Obviously, this implies that we are observing the student’s practice directly.
    Once the student shows an adequate performance of Bhujaṅgāsana
    and it can be integrated into their existing personal practice,
    then we can be more secure that the student is ready to approach
    integrating Sarvāṅgāsana into their regular practice.”
    – 108 Postural Practice Pointers

    “When moving from Standing Āsana to Lying
    Āsana, consider the role of Samasthiti to be one
    of recovery from the efforts of, and exploration
    of the effects from, the preceding standing Āsana.
    Whilst also considering the role of Śavāsana to be one
    of transition to lying and the exploration of lying Āsana.
    Rather than the other way around, in that, we are taking
    Śavāsana as a place of recovery from our preceding efforts.
    In other words, choose to stay in stillness within Samasthiti
    until you feel as if you do not need to lie down to recover.”
    – 108 Postural Practice Pointers

    “We might want to consider the notion that the
    most important standing Āsana is Samasthiti.
    Its role is to ensure we engage with the next Āsana
    from a place of attention and aware anticipation,
    and after it, return to a place of fullness and reflection.
    As if we are experiencing the fullness of the aftertaste
    that naturally follows the ingestion of well-cooked food.
    It’s learned Bhāvana is a quality of stillness within any
    moment of inaction, ere to a transition to the next action.”
    – 108 Postural Practice Pointers

    “Within the teachings of T Krishnamacharya,
    as transmitted to TKV Desikachar,
    the role of Śavāsana within an Āsana practice was as
    a transitional link pose between categories of Āsana.
    For example between Standing and Lying Āsana,
    or Lying and Inverted Āsana,
    or Inverted and Prone Backbends,
    or Prone Backbends and Seated Āsana,
    or Seated Āsana and Sitting Practices.
    The extent of its use and length of rest at each stage,
    when transiting from one category to another within our
    Āsana practice journey, was dependent on the facility
    of the practitioner and the intensity of the practice.
    Within this individualised variance is the guiding
    principle that the role of Śavāsana is to facilitate a
    smooth transition for the flow of the breath and also
    the pulse through and beyond the Āsana practice,
    as a marker for the practitioner’s state of mind.
    However according to Desikachar the Viniyoga of
    Śavāsana was seen in terms of recovery from the
    fatigue of the preceding aspect of the practice rather,
    than say recovery from the preceding aspects of one’s life.
    Regarding the approach for the recovery
    from the preceding aspects of one’s life,
    amongst other things such as Āhāra and Vihāra,
    the wider purpose, content, duration and frequency
    of the Āsana practice must be carefully reconsidered.”
    – 108 Postural Practice Pointers

    Bhāvana on Śavāsana within a Śikṣaṇa Āsana practice.
    “Inherent within the application of Śavāsana
    as an Āsana within a Śikṣaṇa Krama practice,
    is the active cultivation of a quality of Nirodha,
    or what can be described as ‘witness awareness’.
    As in the notion of the Cit observing the Citta.
    Thus, a key to directing the attention in
    Śavāsana, is to intentionally cultivate
    a quality of passive observation.”
    – 108 Postural Practice Pointers

    “The Breath is the activating force in all aspects of the Āsana.
    For example, when comparing a dynamic performance
    of an Āsana with the static performance of an Āsana,
    the difference is in the degree or extent of the movement.
    Thus, from a Viniyoga or application of Āsana perspective,
    whether the extent of the movement is what is seen
    as long-range, mid-range, short-range, or even micro,
    the activating force of the Breath is integral to the Āsana.
    From a developmental viewpoint, as in a longer-term
    Vinyāsa Krama, this a journey from those Āsana that
    mainly favour long-range movement, towards those Āsana
    and Mudrā that mainly favour micro-range movement.
    Within this developmental refinement in the relationship
    of Breath as the activating force, sit the place and roles
    of mid-range movement and short-range movement.”
    – 108 Postural Practice Pointers

    “It is not enough in Āsana to just
    work at lengthening the breath.
    We need also to explore how to
    refine the subtlety of the breath.
    Whether within a single Āsana,
    a number of Āsana in one practice,
    or within the evolution of all aspects
    of our practice over a number of years.”
    – 108 Postural Practice Pointers

    “Saying that the direction of Āsana is
    towards staying does not mean that the
    direction of all Āsana is towards staying.
    In other words the role of some Āsana is
    as a secondary support Āsana and their use
    is merely as a dynamic preparatory aide to
    support a deeper relationship with those Āsana
    within which their primary purpose is staying.”
    – 108 Postural Practice Pointers

    “Our relationship with
    Food can be too much,
    too little, or wrong.
    The same could also be
    said for Āsana Practice.”
    – 108 Postural Practice Pointers

    “Mahā Mudrā is the bridge between Āsana and Prāṇāyāma.”
    – 108 Mudrā Practice Pointers

    “Which Āsana support the
    principle of Mūla Bandha?
    To stop the Mūla dropping,
    as in Paścimatāna drawing
    the Mūla towards Maṇipūra.”
    – 108 Mudrā Practice Pointers

    “Lying Āsana such as Taḍāka Mudrā can be
    initially used for Uḍḍīyana Bandha as less
    strain on the legs and better for observation.”
    – 108 Mudrā Practice Pointers

    “According to such as the Gheraṇḍa Saṃhitā,
    Aśvinī Mudrā and Mūla Bandha are seen as very
    different forms in terms of definition and application.
    Regarding application, only Aśvinī Mudrā is focussed around
    the repeated contraction of the anal sphincter muscles.
    Whereas, Mūla Bandha is a single sustained contraction.
    It also appears that there are differing certainties within
    the modern use, definition and application of the two terms,
    with a single contraction variant of Aśvinī Mudrā often being
    passed off in ‘Krishnamacharya’ terminology, as if Mūla Bandha.
    For example, Mūla Bandha being described as somethng you
    take all the time whether sitting, talking, walking, or eating.
    This would not be possible given T Krishnamacharya’s view of
    what is Mūla Bandha and its relationship to Uḍḍīyana Bandha.
    Comparing Mūla Bandha to Aśvinī Mudrā:
    Aśvinī Mudrā can be an outcome of an effective Mūla Bandha.
    If Mūla Bandha is good then Aśvinī Mudrā can follow automatically.
    But not the other way round, as Aśvinī Mudrā is only
    a localised contraction of the anal sphincters.
    Also, Mūla Bandha is considered as complete,
    whether or not Aśvinī Mudrā is there.
    Also, the use of Aśvinī Mudrā can produce gas and
    too much use can affect the peristaltic reflex.
    Plus avoid in certain conditions such as haemorrhoids.
    Āsana can be used for the same effect on these organs.
    A direct Aśvinī Mudrā pushes the stomach forward,
    so its contraindicated for Mūla Bandha.
    Thus, Krishnamacharya’s view of what is Aśvinī Mudrā and what is
    Mūla Bandha differed, both in terms of definition, technique, and
    application, as well as regarding the student starting prerequisites,
    Vinyāsa Krama and links to other layers of their Yoga Sādhana.”
    – 108 Mudrā Practice Pointers

    “In order to access its inner dimensions,
    I feel Prāṇāyāma needs to be sustained,
    in terms of both frequency, consistency and
    competence, rather than it being a sporadic,
    or perhaps nominal foray, into its potential as
    a primary tool within Bāhya Aṅga Sādhana.
    Maybe this is because of insufficient interest
    in a long-term exploration into Prāṇāyāma?
    On this point, one might offer observations
    on the environment and expectations within
    which the styling of modern group classes
    are framed, seemingly ‘posing’ as if ‘Yoga’?
    Or, perhaps because this cursory glance at its
    form and function arises from us just looking
    for nominal, immediate or even external fruits?
    As one might with Āsana, when experiencing
    a structural, energetic or psychological issue?”
    – 108 Prāṇāyāma Practice Pointers

    “Bhāvana for the Breath in Āsana, Mudrā and Prāṇāyāma
    – Pūraka – Lifting from the Viśuddhi Cakra
    – Antar Kumbhaka – Expanding from the Anahāta Cakra
    – Recaka – Contracting from the Svādhiṣṭhāna Cakra
    – Bāhya Kumbhaka – Sustaining from the Mūlādhāra Cakra”
    – 108 Prāṇāyāma Practice Pointers

    “The longer term measure of our Prāṇāyāma
    potential is determined by our skilful efforts
    within all four components of the breath in Āsana.
    For example, can we maintain a ratio of 8.8.8.8.
    in Parśva Uttānāsana or 12.6.18.12 in Mahāmudrā?”
    – 108 Prāṇāyāma Practice Pointers

    “Prāṇāyāma, the same as with Āsana and Dhyānam,
    was taught according to the core principles within
    Cikitsā Krama, Rakṣaṇa Krama and Śikṣaṇa Krama.
    Thus we have breathwork practice possibilities
    ranging from Cikitsā, using simple ratios to settle
    an irregular breathing pattern or pulse fluctuation,
    to Rakṣaṇa, with a visible competence and fluidity
    within a range of basic techniques and mild ratios,
    to Śikṣaṇa and a skill base encompassing all techniques,
    and ratios and especially, the application and integration of
    Kumbhaka with long holds both after the inhale and the exhale.”
    – 108 Prāṇāyāma Practice Pointers

    “When reflecting on the intimacy of the relationship between
    Prāṇāyāma and Āsana experientially, we could consider
    exploring the practice of Prāṇāyāma and its developmental
    conjunction with Āsana, via the following reference points.
    Within the age-old coalescence of Prāṇāyāma and Āsana,
    Prāṇāyāma can have three potential roles in influencing
    the physical, energetic, psychological or emotional
    effects arising from the prior practice of Āsana.
    In this context the application of Prāṇāyāma can be
    from one of three directions. It can be used to either
    pacify, or to stabilise, or to intensify, the various
    experiences arising from the practice of  Āsana.”
    – 108 Prāṇāyāma Practice Pointers

    “One of the joyful experiences that can emerge within our morning practice
    is the feeling that arises on arriving at our Prāṇāyāma seat and taking
    that first breath within an atmosphere of having more than enough time
    in hand left to engage with this aspect of our on the mat Sādhana that day.
    The sense of Sukha is palpable and offers a spaciousness that facilitates
    the breath both releasing and entering into the spirit of, as Krishnamacharya
    spoke of in terms of Āsana, Prayatna Śaithilya and Ananta Samāpatti.
    This feeling in itself can both automatically lengthen and deepen
    the flow of the breath without any conscious effort on our part.
    A precious gift to start the days journey into exploring this vital area of practice.
    A constant reminder, if not rejoinder, to not forget
    to leave more than enough time for Prāṇāyāma,
    rather than it being the token twiddle at the end of the practice,
    or that which is oft easily at best compromised or at worst,
    forgotten within the seduction of the bodily experiences.”
    – 108 Prāṇāyāma Practice Pointers

    “What can define a transition between
    Cikitsā Krama, Rakṣaṇa Krama and
    Śikṣaṇa Krama in terms of the breath?
    Is it that in Cikitsā Krama, the priority is
    within Āsana practice and establishing a
    core relationship with using the breath?
    Whereas, in Rakṣaṇa Krama, the priority
    is within Āsana practice, and developing
    the core relationship, primarily with the
    exhale and secondarily with the inhale?
    Whereas, in Śikṣaṇa Krama, the priority is
    within Prāṇāyāma practice, and developing
    the core relationship, primarily with the exhale
    and the inhale, and secondarily with the holds?”
    – 108 Prāṇāyāma Practice Pointers

    “What can define a transition between
    Cikitsā Krama, Rakṣaṇa Krama and
    Śikṣaṇa Krama in terms of Prāṇāyāma?
    Is it that in Cikitsā Krama, the priority is
    establishing an Āsana practice with the aim
    of developing a core relationship with Ujjāyī?
    Whereas, in Rakṣaṇa Krama, the priority is
    establishing a Prāṇāyāma practice with the aim
    of developing a core relationship, primarily
    with Anuloma and secondarily with Pratiloma?
    Whereas, in Śikṣaṇa Krama, the priority is
    developing a core relationship, primarily with
    Nāḍī Śodhana and secondarily with Sūrya Bhedana?”
    – 108 Prāṇāyāma Practice Pointers

    “As an adjunct or extension to the Āsana element of a practice,
    Prāṇāyāma can be applied to either enhance, stabilise or reduce
    the impact of accumulative effects arising from the Āsana element.
    The skill is being able to choose which is appropriate for that day,
    in relation to where we are coming from in terms of that day’s Āsana,
    and our personal choices as to where we are going to need to be after.”
    – 108 Prāṇāyāma Practice Pointers

    “One of the key concepts in the Viniyoga of Āsana
    is how to facilitate movement in the spine
    rather than just movement of the spine.”
    – 108 Yoga Practice Pointers

    “One of the primary roles for Āsana
    is to make the spine a fit vehicle for Prāṇāyāma.”
    – 108 Yoga Practice Pointers

    “In Āsana, the Breath is an accessory to the Āsana.
    In Prāṇāyāma, the Āsana is an accessory to the Breath.”
    – 108 Yoga Practice Pointers

    “Yoga is more about exploring
    the movement of the mind, whilst
    Āsana is more about exploring
    the movement of the body.
    The vehicle common to exploring both
    is the movement of the breath.
    The yoking of all three is towards the goal of
    experiencing the source of all movement.”
    – 108 Yoga Practice Pointers

    “Some are satisfied with what Āsana brings them.
    Others are curious as to where Āsana can take them.”
    – 108 Yoga Practice Pointers

    “We can make a profession out of the myriad of ways we find
    to use Āsana to stay too busy to make time for Prāṇāyāma.”
    – 108 Yoga Practice Pointers

    “Are we confusing the maturation of our Āsana practice
    with the maturation of our Yoga practice?”
    – 108 Yoga Practice Pointers

    “Āsana alone can be a support for our outer relationship with living.
    However can Āsana alone be the support for our inner relationship with dying?
    Especially as our conception of death is buried deep within our psyche.
    This is why Yoga offers vehicles beyond Āsana for the inner and especially final journey.”
    – 108 Yoga Practice Pointers

    “Ultimately our experience of the Āsana is refined
    through the mystery of the breath,
    rather than the mastery of the form.”
    – 108 Yoga Practice Pointers

    “Āsana is an interface between the body
    and the systemic energy processes.
    Prāṇāyāma is an interface between the
    systemic energy processes and the psyche.
    Dhyāna is an interface between the psyche
    and the awareness that pervades our sense of being.”
    – 108 Yoga Practice Pointers

    “Is it a misdirection within Āsana from talking
    about effects on the body as if on the spine?
    Thus too much focus on talking about effects on the body
    and not enough on looking at the actual effects on the spine?”
    – 108 Yoga Practice Pointers

    “Āsana is the primary choice to work the breath.
    Prāṇāyāma is the primary choice to refine the breath.”
    – 108 Yoga Practice Pointers

    “The ABC of the Viniyoga of Yoga
    is the bespoke long term cultivation of
    a personalised, pertinent and progressive
    Āsana Practice as a foundation for a separate
    Breathing Practice with its own identity alongside a
    Chanting Practice to honour teachings and transmission.
    Dhyānam is the fabric that time weaves from these related threads.”
    – 108 Yoga Practice Pointers

    “In terms of ageing mainframes and creaking joints,
    it is perhaps useful to remind ourselves that
    Yoga practice is much more than just Āsana.
    In other words, even as the body slows down,
    can we continue to slow the Breath down,
    can we continue to slow the Mind down,
    can we be still within the distraction of age?”
    – 108 Yoga Practice Pointers

    “According to the teachings of Krishnamacharya and Desikachar,
    Āsana involves extending the length of the breath beyond the body,
    rather than the extending of the body beyond the length of the breath.
    The purpose is to facilitate the field of Prāṇa accumulating in its intensity.”
    – 108 Yoga Practice Pointers

    “The place of learning is in the space between the Āsana.
    In that Āsana practice is a movie, not a series of pictures.
    A marker towards Nirodha is not leaking between Āsana.
    Thus containing energetic itches on coming back to stillness.”
    – 108 Yoga Practice Pointers

    “The journey into the breath in Āsana is one where we
    evolve from firstly, exploring the breath within ourself
    towards ultimately, exploring ourself within the breath.”
    – 108 Yoga Practice Pointers

    “We realise the Āsana through the breath,
    rather than the breath through the Āsana.”
    – 108 Yoga Practice Pointers

    “Specific breathing patterns in Āsana
    ensure a harmony
    a sense of involvement
    allow an investigation into the Āsana
    offer a mirror for observing subtle changes
    within our responses to the Āsana
    and its place within the practice.”
    – 108 Yoga Practice Pointers

    “Listening to the breath between Āsana is more
    important than listening to the mind between Āsana.”
    – 108 Yoga Practice Pointers

    “Āsana works from
    the outside inwards.
    Prāṇāyāma works from
    the inside outwards.”
    – 108 Yoga Practice Pointers

    “The starting point for the Āsana is the breath.
    The finishing point for the Āsana is the breath.
    The journey between the two is via the breath.”
    – 108 Yoga Practice Pointers

    “The art of Viniyoga is being concerned with what
    happens during the movements between the Āsana
    rather than just the movements during the Āsana.”
    – 108 Yoga Practice Pointers

    “The art of Viniyoga is about
    how you bring life to the Āsana
    rather than expecting the Āsana
    to bring life to you.”
    – 108 Yoga Practice Pointers

    “Then there are those Āsana that you learn
    solely for practices other than Āsana.”
    – 108 Yoga Practice Pointers

    What constitutes lazy Āsana practice?
    – 108 Yoga Practice Pointers

    “In the beginning, the breath in Āsana
    sets the direction for our Prāṇāyāma practice.
    As we develop this, the breath in Prāṇāyāma
    sets the direction for our Āsana practice.”
    – 108 Yoga Practice Pointers

    “When less Āsana time than you would like,
    better to reduce the number of Āsana,
    or the number of repetitions,
    or the length of the stays,
    rather than, reducing the length of the breath.
    Or….. even considering lengthening the breath,
    thus even fewer Āsana, all with a longer breath than usual.
    Here the Bhāvana could be to observe the effect
    of a more spacious than usual Āsana breathing
    on a more cramped than usual daily mindset.”
    – 108 Yoga Practice Pointers

    “In the beginning of our journey into the arts of Āsana and Prāṇāyāma, the outcome of our exploration into the breath in Āsana sets a direction and parameters for the beginnings of our exploration into how and where to develop the breath in Prāṇāyāma.
    As we establish, progress and refine our practice of Prāṇāyāma, the strengths and issues that arise from our practice of Prāṇāyāma invite a subtler investigation of the breath in Āsana.
    This investigation with its reciprocal and yet increasingly subtle direction offers a more precise guidance for where and how we revisit and engage with our work with the breath in Āsana.
    Over time we come to both realise and experience the uniqueness of the breath within each of these two arts and the increasingly subtle development of the qualities of the relationship between the breath in Āsana, with that of the breath in Prāṇāyāma.”
    – 108 Yoga Practice Pointers

    “When considering what, why and how to practice,
    it can be helpful to consider our starting point.
    For example, are we looking for the role of an Āsana
    practice to help in recovering from a situation
    where we are as if personally overdrawn.
    Also, what is the nature of our ‘overdraft’?
    Is its impact or origin physical, energetic, psychological
    or emotional, or even a combination of more than one?
    Here the concepts of too little, too much, or wrong
    can also be helpful as a reference in that, as well as
    considering the nature of the ‘overdraft’, we need to
    consider the means we undertake to remedy this
    aspect of the situation. In other words our first
    priority is to choose to plan practice steps that
    will initially reduce the negative aspect at least.
    However, sometimes we can try something that is
    as if a short term loan and at a high rate of interest
    in terms of time, effort, energy and commitment.
    Thus whilst finding our situation temporarily
    improving a further depletion can possibly arise as
    we find ourselves unable to as if ‘keep up with the
    extra payments’ given the nature of the original
    depletion and its current impact on our potentials.
    So having a clear reference point in terms of
    identifying the nature of our starting point, and
    the short term or longer term potentials of a
    choice of an appropriate remedy, is as important
    as our personal determination to clear the deficit
    that has knowingly or unknowingly emerged within us.”
    – 108 Yoga Practice Pointers

    “In Āsana the emphasis is
    more on Body, Breath, Mind.
    In Prāṇāyāma the emphasis is
    more on Breath, Mind, Body.
    In Dhyānam the emphasis is
    more on Mind, Breath, Body.”
    – 108 Yoga Practice Pointers

    “Bṛṃhaṇa Kriyā and Laṅghana Kriyā, as
    expansive and contractive activities, are two
    potentials explored through Āsana and the Breath.
    Alongside the practice of Āsana, Mudrā and Prāṇāyāma,
    they are actualised through a theoretical understanding of
    the primary principles that inform Haṭha Yoga and Āyurveda.
    The alchemical process underpinning this understanding
    is the relationship between the two primary principles of
    Prāṇa and Agni in order to influence Haṭha Yoga concepts such
    as Prāṇa, Apāna, Sūrya, Candra, Nāḍī, Cakra and Kuṇḍalinī.
    In terms of Bṛṃhaṇa Kriyā and Laṅghana Kriyā, the
    Viniyoga of Bṛṃhaṇa effects a dispersion of Agni from
    the core to the periphery and the Viniyoga of Laṅghana
    effects a concentration of Agni from the periphery to the core.
    Integrating the application of these two specific processes
    facilitates access, through the Merudaṇḍa, Prāṇa and Agni,
    to either energising or cleansing potentials, or as collaborative
    outcomes within the practice of Āsana, Mudrā and Prāṇāyāma.”
    – 108 Yoga Practice Pointers

    “Progressing from Movement to Stillness,
    as in from Dynamic Āsana to Static Āsana,
    is a perceived goal within every Yoga practice.
    However, within the Viniyoga of Āsana, this is not
    a purposeful goal to expect within every Āsana.”
    – 108 Yoga Practice Pointers

    “Another lesser-known facet to the practice tool of Pratikriyāsana
    is the application of it in the practice planning steps, not in the
    more usual sense of its perception as a postural counterpose,
    rather its application in order to reduce a negative state of being
    and the impact that we are currently experiencing, whether at a
    physical, energetic, psychological or emotional level of being.
    In this context, Pratikriyāsana means the practice planning steps
    when choosing and arranging Āsana that will effect an counter action
    on our current state of negativity expressing itself and impacting on
    our sense of well-being, whether body, mind, energy or emotions.
    Thus, opposite action Āsana to a currently unhelpful sense of being.”
    – 108 Yoga Practice Pointers

    “Svatantra within Āsana, Mudrā
    and Prāṇāyāma implies knowing
    the self-application and effects of
    breath ratios, as well as you know
    the self-application and effects of
    the forms of the important Āsana.”
    – 108 Yoga Practice Pointers

    “In Āsana the breath is
    a mirror for the body.
    In Prāṇāyāma the breath
    is a mirror for the mind.”
    – 108 Yoga Practice Pointers

    General Guidelines for Practice Planning:
    “Keep it simple and consider how
    to spend more time in fewer Āsana.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    General Guidelines for Choosing Āsana:
    “Yoga emphasises that Āsana must not be neglected,
    it is a valid tool that needs a precise application, hence
    respecting that there need to be guidelines when choosing.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    General Guidelines for Choosing Āsana:
    “Āsana practice seems to mean
    different things to different people.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    General Guidelines for Choosing Āsana:
    “Most of the Āsana are not close
    to the postures of the body we use
    in our daily life and its activities.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    General Guidelines for Choosing Āsana:
    “These days people begin Āsana practice
    at different stages of their life.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    General Guidelines for Choosing Āsana:
    “It is not humanly possible to adapt Āsana
    practice to respect all the considerations.
    Hence, a safe compromise that produces
    certain positive effects and limits negative
    effects is the only proper alternative.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    General Guidelines for Choosing Āsana:
    “The principles we utilise through
    the Viniyoga of Āsana practice are
    a fair attempt in this direction.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    General Guidelines for Setting Practice Aims and Learning Outcomes:
    “Furthermore, we must also respect
    the after-effect of the Āsana practice,
    as well as the after-action yet to come.
    Here we must respect the travel from A to Z
    and that Z seems to vary much more than A.
    For example, there are generally fewer
    variables with practice in the morning.
    Whereas, with practice in the evening we are more
    subject to the day’s effects and thus more variables.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    General Guidelines for Setting Practice Aims and Learning Outcomes:
    “If being practised regularly, consider
    the impact of the accumulative effect
    of Āsana and Pratikriyāsana, in any
    one practice, and especially over time
    on any aims and intended outcomes.
    Observations here can be helped by
    keeping the practice concise, consistent
    and coherent in intention and execution.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Generally, in terms of Āsana practice,
    we can consider two types of physical activity
    that of Dynamic or Movement and Stay or Static:
    Dynamic is the movement aspect of an Āsana or posture.
    Here some Āsana are more suited to Movement or Dynamic Work”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Relating these two types of activity,
    dynamic movement in Āsana is the initial way
    of assessing what is what in the body,
    in the breath and in the mind.
    Furthermore, you can’t just press a button and
    get into and out of an Āsana, you have to move.
    So there is a starting point in learning the practice of Āsana.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Generally, in terms of Āsana practice,
    we can consider two types of physical activity,
    that of Dynamic or Movement and Stay or Static.
    Stay is the Static aspect of an Āsana or posture.
    Though some Āsana are more suited to Stay or Static Work.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Linking Dynamic and Static Āsana within a Vinyāsa Krama.
    In this respect the application of the principles of
    both dynamic and static work, when planning for
    Āsana practice, allows for a more efficient use of
    the body and respect for the variables such as
    time of day, time of year, time of life, preceding
    or following activities, the length of practice,
    the role of practice, our practice needs, etc.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Amongst the technical learnings of the different
    possibilities for Āsana are topics such as,
    the developmental application of Āsana
    within the refinement of the practice from
    more movement towards more stasis.
    This involves an exploration of the immediate
    or longer-term potentials for different Āsana:
    – When used with long-range movement
    – When used with mid-range movement
    – When used with short-range movement
    – When used with micro movement.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “This would also involve a theoretical study of
    the Lakṣaṇa of individual or groups of Āsana.
    This is supported by exploring the advantages and
    disadvantages of movement or stay in specific Āsana.
    All of which to help in appreciating which Āsana
    are best used dynamically, or which Āsana are
    best used statically and which Āsana can serve the
    practice in both dynamic and a static application.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Consequently in looking at the principles
    of working with dynamic and static,
    we must consider the following:
    – The Lakṣaṇa of the chosen Āsana
    – The Lakṣaṇa of the practitioner’s body
    – The Lakṣaṇa of the practitioner’s breath
    – The Lakṣaṇa of the practitioner’s mind
    – The Vinyāsa Krama to link the Āsana
    with the practitioner’s individual
    body, breath and mind.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Furthermore, the consideration of the roles of
    movement and stasis can be further developed through
    Krishnamacharya’s teachings on application of Āsana.
    For example, whether for circulation or for purification,
    within both structural and/or systemic roles for Āsana.
    Regarding circulation, or what he called Rakta Calana.
    When you want to activate the circulation you move.
    Regarding cleansing, or what he called Śarīra Śodhana.
    When you want to activate a purificatory process you stay.
    Both presume there is competent access to the breath,
    working access to the concepts of Prāna, Apāna and Agni,
    and experience of how to direct the breath in the spine.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Furthermore, the consideration of movement
    or stasis sits within a relationship to the
    deeper purpose of Āsana within our journey
    through the body and the breath, to the mind
    and beyond, through considerations such as:
    In relation to the dual concepts of Sthira and Sukham.
    Dynamic can be too much effort, as in overly Sthira,
    and Static can be too relaxing, as in overly Sukham.
    Thus, the use of movement and stasis in Āsana needs
    to consider how to correlate these two qualities, namely
    that of steady attentiveness with that of spacious clarity.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Furthermore, the consideration of movement
    or stasis sits within a relationship to the
    deeper purpose of Āsana within our journey
    through the body and the breath, to the mind
    and beyond, through considerations such as:
    In relation to the fluctuations of the Guṇa.
    Ideally, dynamic work is a state of still movement,
    rather than a state of active movement, as in Rajas.
    Equally, static work is a state of bright stasis,
    rather than a state of dull stasis, as in Tamas.
    Thus, in relation to the Guṇa, the application
    of both movement and stasis in Āsana need to be
    appropriately supported by a quality of Sattva.
    As in a quality of stillness within dynamic work
    and a quality of brightness within static work.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Furthermore, the consideration of movement
    or stasis sits within a relationship to the
    deeper purpose of Āsana within our journey
    through the body and the breath, to the mind
    and beyond, through considerations such as:
    In relation to the concepts of Dhāraṇā and Dhyānam.
    Dynamic is the effort to move the activities of the mind,
    as well as of the body, in one direction as in Dhāraṇā.
    The observations from dynamic work also allow us to see
    the role or appropriateness or subtlety of static work.
    Here static can be considered as the holding of the mind,
    as well as of the body, in one direction as in Dhyānam.
    As Dhāraṇā precedes Dhyānam in terms of directing the
    activities of the mind, so dynamic work precedes static
    work in terms of directing the activities of the body.
    So, the quality of the attention within the mind, as well
    as the body, is important in helping us to experience the
    progressive interrelationship between movement and stasis.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Different Types of Postural Activity in Āsana Practice
    “Finally, the consideration of movement
    or stasis sits within a relationship to the
    deeper purpose of Āsana within our journey
    through the body and the breath, to the mind
    and beyond, through considerations such as:
    In relation to the psychological ideal of remaining there.
    According to the definition in  Chapter Three verse 2 of
    the Yoga Sūtra, a continuity of psychic activity is the ideal.
    This is seen as the ability to stay, as if in the same moment, as
    one moment melds into the next moment and the next moment.
    In other words, the ability to internally maintain a continuity of
    experience as if maintaining an apparent stillness of movement.
    Access to such subtle states requires a containment of movement
    that ultimately extends from the body to the breath to the mind.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Voluntary Efforts and Involuntary Effects in an Āsana Practice
    “As well as the consideration around the use of
    Āsana dynamically or statically, there is also,
    depending on our background to Āsana practice,
    the voluntary effort and the involuntary effects.
    According to the impact of this in the background,
    certain voluntary intentions can, often unconsciously,
    trigger certain involuntary, multilevelled responses.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Voluntary Efforts and Involuntary Effects in an Āsana Practice
    “Thus, this means these effects can also apply to our
    attitudes whilst working habitually in a particular Āsana.
    For example, an involuntary response as a result of memory.
    So we can have a blindness, in that we are unaware of the
    position of the arms, legs, or body, as well as in our attitude.
    Thus, we need to at least apply movements voluntarily
    in our efforts to influence the qualities of the Āsana.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    Voluntary Efforts and Involuntary Effects in an Āsana Practice
    “Thus, with these two aspects there can be a lot of variables.
    For example, using or not using the breath in Āsana
    practice can be either a voluntary or involuntary aspect.
    Thus, if you are not used to using the breath in an Āsana
    and its quality is affected involuntarily, then we must apply
    a voluntary action to improve or sustain the quality of the breath.
    Or, if we are used to using the breath, the way we use it
    can become fixed and unchanging – an involuntary effect.”
    – 108 Yoga Planning Pointers
    – The Viniyoga of Planning Principles Guidelines – Collected & Collated

    “One hallmark within TKV Desikachar’s teaching on Āsana,
    was not to confuse ‘appropriate’ alignment techniques,
    with ‘proper’ alignment techniques.
    The former implies a personalised starting point,
    whilst the latter implies a developmental potential.
    However both need to be related to 3 questions:
    Where am I coming from?
    Why am I practicing Āsana?
    Where am I going to?”
    – 108 Yoga Teaching Path Pointers

    “The Viniyoga of Yoga perspective
    is that the role of Śavāsana is
    its specific use as a transition
    from the fatigue of the Āsana,
    rather than its general use as a
    recovery from the fatigue of life.”
    – 108 Yoga Teaching Path Pointers

    “Just because a person can achieve the form of the Āsana,
    we can’t presume they will also achieve the experience of the Āsana.”
    – 108 Yoga Teaching Path Pointers

    “Amongst the Antarāya that
    relegate Prāṇāyāma to the wish list
    is the choice of a long relaxation as
    a substitute ending to Āsana practice.”
    – 108 Yoga Teaching Path Pointers

    “My Āsana study with Desikachar was shaped around forming
    a deep appreciation of specific core principles that underpin
    the planning and practice of Āsana and their application to
    the individual student’s constitution, psychology and need.
    Amongst these dozen or so core principles,
    the first group when looking at any Āsana in depth,
    were the concepts of Nāma, Rūpa and Lakṣaṇa, or the
    name, form and characteristics of that particular Āsana.
    Obviously, the Nāma is a useful tag point for identification
    and the Rūpa is vital as a reference point for the Sat Viniyoga,
    or right application of the Āsana within overall considerations of
    initial direction and outcomes through such as the Śikṣaṇa Krama,
    Rakṣaṇa Krama or Cikitsā Krama application of the forms used.
    However, I do feel these days that our understanding in Āsana
    practice is more dominated by the Nāma and the Rūpa with
    little emphasis on the Lakṣaṇa or inherent characteristics of the
    Āsana and how understanding this aspect can have a profound
    effect on the approach, application and outcome of the overall or
    accumulative impact of the Āsana within the student’s practice.
    The teachings of Krishnamacharya around Āsana included
    an in-depth appreciation of the Lakṣaṇa, especially around
    the thirty or so primary and secondary support Āsana such as
    Uttānāsana, Jaṭhara Parivṛtti, Bhujaṅgāsana or Januśīrṣāsana.”
    – 108 Yoga Teaching Path Pointers

    “Krishnamacharya’s approach
    to teaching children Āsana,
    was more about cultivating
    strength in Prāṇa Sthāna and
    movement in Apāna Sthāna.
    Whereas for teaching adults
    Āsana, the approach was
    now more about cultivating
    movement in Prāṇa Sthāna
    and strength in Apāna Sthāna.”
    – 108 Yoga Teaching Path Pointers

    “A suggested strategy is to
    focus primarily on the length
    of the breath when working in
    group class situations with Āsana.
    Whereas, a suggested strategy is to
    focus primarily on the subtlety of
    the breath when working in group
    class situations with Prāṇāyāma.”
    – 108 Yoga Teaching Path Pointers

    “What is important is the refinement of one’s
    practice and study repertoire, rather than
    just the enlargement of one’s repertoire,
    whether it’s more Āsana, Chants or Texts.
    Plus, the more time you spend on enlarging,
    the less time you have to spend on refining.”
    – 108 Yoga Study Path Pointers

    “Don’t let Āsana become just
    another form of security,
    rather than an inquiry
    into the nature of insecurity.”
    – 108 Yoga Study Path Pointers

    “Better not to confuse:
    – Bodywork with Āsana.
    – Energywork with Mudrā.
    – Breathwork with Prāṇāyāma.
    – Mindwork with Dhyānam.
    – Voicework with Mantra.
    – Soulwork with Puruṣa.”
    – 108 Yoga Study Path Pointers

    “What are the concepts of Sṛṣṭi Krama, Sthiti Krama and Anta Krama
    and what is their significance in relationship to the practice of Āsana?”
    – Yoga Practice Planning and Theory Questions – Collected & Collated

    Links to Related posts:

    • Āsana & Mudrā Practice Techniques  Glossary
      – Grouped into Standing, Kneeling, Lying, Inverted, Backbend, Seated & Sitting
    • Prāṇāyāma & Bandha Practice Techniques Glossary
      – Grouped into Primary, Secondary & Ancillary Techniques

    – Āsana Practice Articles

    • Yoga Postures in Practice – A series on Āsana by Paul Part 1 Samasthiti
    • Yoga Postures in Practice – A series on Āsana by Paul Part 2 Tāḍāsana
    • Yoga Postures in Practice – A series on Āsana by Paul Part 3 Uttānāsana
    • Yoga Postures in Practice – A series on Āsana by Paul Part 4 Utkaṭāsana
    • A fundamental facet in the principles of Āsana, Mudrā and Prāṇāyāma practice……
    • Āsana is not just another form of exercise……
    • Aṣṭāṅgāsana – The eight limbs of Āsana Planning and Practice
    • Bṛṃhaṇa Kriyā and Laṅghana Kriyā as Expansive and Contractive potentials…..
    • Compendium of Quotes from TKV Desikachar on the Yoga of T Krishnamacharya……
    • Deepening our relationship with Prāṇāyāma deepens our relationship with Āsana……
    • Finding your starting point within Āsana to set a direction and route towards a goal…
    • Haṭha Yoga has another role other than mere freedom of movement……
    • If we appreciate the role of breathing in Āsana how can we make it longer?
    • In the beginning of our journey into the arts of Āsana and Prāṇāyāma……
    • Introduction to the Yoga Makaranda by TKV Desikachar
    • It appears that one can often talk about the effects of Yoga Āsana on the spine in Yoga yet……
    • it is still unclear how much Yoga someone has to do to get the benefits…..
    • It is the pleasure of practising Yoga because you want to practice……
    • Keeping the breath longer than the movement within an Āsana
    • Know your breath and its unique characteristics in Āsana and you will……
    • Nāma, Rūpa, Lakṣana – The Name, Form and Characteristics of Āsana
    • One example of this depth is Krishnamacharya’s lesser known work in the teaching of Mantra……
    • Reflections on TKV Desikachar’s Teaching and Svatantra……
    • Sound – A Means Beyond Āsana and Prāṇāyāma……
    • The breadth, depth and potential of Desikachar’s teachings on practice……
    • The Breath has its own developmental process within an Āsana.
    • The continued effort of the Breath is that which gives life……
    • The Link between the practice limbs of Āsana, Mudrā, Prāṇāyāma and Dhyānam
    • There are some forms within the postural resources developed by……
    • The teaching of Krishnamacharya around Āsana included an in-depth appreciation of the Lakṣaṇa……
    • The Viniyoga of Yoga is the application of the principles that…
    • The Westernisation of Yoga Āsana with its emphasis on structural focus……
    • Though there are many different aspects to formal ‘home’ practice……
    • T Krishnamacharya’s accomplishments should not be defined just by his more well known characterisations……
    • TKV Desikachar talks on Śraddhā in the light of the Yoga Sūtra……
    • YOGA AND MODERN MEDICINE – Interview by TKV Desikachar
    • YOGA: SURGERY SANS INSTRUMENTS – Interview with TKV Desikachar 1998

    – Āsana Practice Theory

    • Āsana Mudrā & Prāṇāyāma
      – Collected Practice Planning and Practice Theory Questions
    • Āsana Mudrā & Prāṇāyāma
      – Collected Viniyoga of Practice Planning Principles
    • Considerations for Vinyāsa Krama around Bakāsana……
    • Can we find some similar characteristics between various individuals around Āsana practice…
    • Correct vibrational intonation was an important emphasis within all aspects of Mantra initiation
    • Cultivating the skills within Yoga Practice Planning for Individual Students
    • cYs Practitioner Training Programme Retreat Extract 1 – Self Planning & Self Practice
    • cYs Practitioner Training Programme Retreat Extract 2 – Self Planning & Self Practice
    • cYs Practitioner Training Programme Retreat Extract 3 – Self Planning & Self Practice
    • cYs Practitioner Training Programme Retreat Extract 4 – Self Planning & Self Practice
    • Design an Āsana Practice according to the principles taught by TKV Desikachar
    • Examples of Vinyāsa Krama for Sitting Āsana within a Single Practice…
    • Exploring Prāṇāyāma within Cikitsā, Rakṣaṇa and Śikṣaṇa Krama…
    • Guidelines for skilful dynamics within the performance of Vīrabhadrāsana……
    • How do we apply Viniyoga to students already set in a particular mode of Āsana practice?
    • Link to Series: 108 Postural Practice Pointers
    • Laṅghana Kriyā has two functional dimensions…
    • Longer term Vinyāsa Krama within the Viniyoga of the breath in Āsana……
    • Pañca Maya – The five aspects of Being Human…
    • Pratikriyā Bhāvana for Vīrabhadrāsana
    • Physiological and psychological considerations around the practitioner’s starting point…
    • Question to Krishnamacharya – “Can you explain the concept of Vinyāsa and Pratikriyā Āsana?”
    • Self Planning & Self Practice Project around Mahāmudrā…
    • Śīrṣāsana as a Viparīta Karaṇī Mudrā
    • Studying, Practicing and Learning the Tri Bandha involves Theory, Techniques and Cautions…
    • The breath can be a key to unlocking the mystery of the relationship……
    • The counter posture needs to be mastered before a particular Āsana is attempted
    • There are Many Approaches to Āsana Practice…
    • The Viniyoga of Inversion as an Āsana or as a Mudrā……
    • We can really see the weaknesses of a body when a person is becoming tired…
    • We need to consider the process that surrounds one’s Āsana practice…
    • What are the concepts of Sṛṣṭi Krama, Sthiti Krama and Antya Krama?

    – Āsana Practice Planning:

    • Āsana Mudrā & Prāṇāyāma
      – Collected Practice Planning and Practice Theory Questions
    • Design a practice with an emphasis on working with arm movements in Bhujaṅgāsana as preparation for Dhanurāsana.
    • Design an evening Practice before going out (as if) to teach Yoga…
    • Design an Āsana Practice according to the principles taught by TKV Desikachar
    • Design an Āsana practice around Dhanurāsana  and Ardha Matsyendrāsana
    • Design an Āsana practice to include three hand balance Āsana of your choice…
    • Design an Āsana practice to move towards being able to work dynamically in Ūrdhva Prasṛta Pādāsana
    • Design and Experiment with a Practice around Bhujaṅgāsana and Paścimatānāsana…
    • Design and Experiment with a Practice around Parśva Uttānāsana and Janu Śīrṣāsana…
    • Design a Practice for the morning after a heavy meal and late night…
    • Design a Practice to experience the application of Sound in Āsana…
    • Design a Prāṇāyāma for yourself to include Śītalī, Anuloma Ujjāyī and Nāḍī Śodhana
    • Design a Prāṇāyāma for yourself to include a crown ratio of 1.1.1.1. in Nāḍī Śodhana
    • Design a practice leading to staying in Sarvāṅgāsana for 8 minutes…
    • Design a practice to stay 8 minutes in Paścimatānāsana…
    • The Viniyoga of Āsana – Planning an Appropriate Āsana Practice

    – Āsana Sample Practices

    • An example of a Secondary Yoga Practice, primarily for early evening use
    • A sample Parivṛtti and Paścimatāna Themed Group Practice
    • Example of a Vinyāsa Krama around Jaṭhara Parivṛtti
    • Viniyoga Vignette 1 – Antar and Bāhya Kumbhaka in Āsana
    • Viniyoga Vignette 3 – Śītalī and Anuloma Ujjāyī Prāṇāyāma within Āsana
    • Viniyoga Vignette 4 – Combining Prāṇāyāma within Āsana
    • Viniyoga Vignette 5 – Introducing Uḍḍīyana Bandha within an Āsana practice
    • Vinyāsa Krama for Upaviṣṭa Koṇāsana from TKV Desikachar’s Notebooks

    Share this:

    • Tweet
    • WhatsApp
    • Email
    • Print

    Related

    This glossary with its similar, opposite and related concepts categories, supplemented by textual references and additional commentaries around the key word, is a both work in progress and constantly ever-expanding in terms of further cross-references, textual cross links and commentaries.
    As it continues to develop your comments and suggestions on your experience and how it may be enhanced are very welcome via this link, thank you.
    Proudly powered by WordPress | Theme: cysuk by Underscores.me.
     

    Loading Comments...