Exploring Prāṇāyāma within Cikitsā, Rakṣaṇa and Śikṣaṇa Krama…

1. Prāṇāyāma, the same as with Āsana and Dhyānam, was taught according to…

Prāṇāyāma, the same as with Āsana and Dhyānam, was taught according to the core principles within Cikitsā KramaRakṣaṇa Krama and Śikṣaṇa Krama.
Thus we have breathwork practice possibilities ranging from Cikitsā, using simple ratios to settle an irregular breathing pattern or pulse fluctuation, to Rakṣaṇa, with a visible competence and fluidity within a range of basic techniques and mild ratios, to Śikṣaṇa and a skill base encompassing all techniques, and ratios and especially, the application and integration of Kumbhaka with long holds both after the inhale and the exhale.

2. What defines the transition between Cikitsā, Rakṣaṇa and Śikṣaṇa Krama is the desire…

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Primary Prāṇāyāma Techniques as taught by Krishnamacharya and Desikachar

nadi_sodana

Glossary of Prāṇāyāma & Bandha Practice Techniques

Grouped into Primary, Secondary & Ancillary Techniques

1. Primary Prāṇāyāma Breathing Techniques

Nāḍī Śodhana
Pūraka Left Nostril
Recaka Right Nostril
Pūraka Right Nostril
Recaka Left Nostril

2. Primary Support Prāṇāyāma Breathing Techniques

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Know your breath and its unique characteristics in Āsana and you will……

Know your breath and
its unique characteristics within Āsana
and 
you will have an initial template
for working with your breath in Prāṇāyāma.

Modern Postural Yoga talks a lot about individual patterning from our genetic past, along with upbringing and lifestyle conditioning, determining what body patterns we inherently carry from life to death. From this, how we need to consider what body we bring to Āsana practice and how we need to be intelligent in our choice of Āsana for our body and mind and the developmental direction of our body in Āsana practice.

Less talked about is that exactly the same can be said for our breath and the individual patterning from our genetic past, along with upbringing and lifestyle conditioning, determining what breathing patterns we inherently carry from life to death. From this, we also need to consider what breath we bring to Āsana practice and how we need to be intelligent in our choice of breathing patterns in Āsana for our body and mind and the developmental direction of our breath in Āsana practice.

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Deepening our relationship with Prāṇāyāma deepens our relationship with Āsana……

One aspect of Yoga Sādhana is that it is ultimately about a maturing of our relationship with all aspects of on the mat (and seat) Yoga practice, rather than just a maturing of our Āsana practice.

“Are we confusing the maturation of our Āsana practice
with the maturation of our Yoga practice?”

This is especially relevant if we consider these various aspects as existing within a holarchy. This implies that one “level”, here Āsana; whilst being the foundation, technical reference point, verification and ladder for the next “level”, here Prāṇāyāma; also remains interdependent with it. Thus Āsana is correspondingly influenced by the insights that arise from Prāṇāyāma as we work towards a transition from Bāhya Aṅga Sādhana towards Antar Aṅga Sādhana.

“Āsana is the primary choice to work the breath.
Prāṇāyāma is the primary choice to refine the breath.”

For example, fully embracing Prāṇāyāma as a Sādhana is initially founded on the core principles that underpin an intelligent relationship with Āsana. This foundation helps to seed insights that are unique to Prāṇāyāma practice. These insights in turn both deepen our relationship with Prāṇāyāma as well as refreshing and further deepening our relationship with Āsana.

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Prāṇāyāma – Where to Start? Part Four

Prāṇāyāma – Where to Start? Part Four

In the previous three articles in this series we discussed Krishnamacharya’s teachings around his understanding of and approach to the viniyoga or application of Prāṇāyāma.

Firstly in terms of Āsana being the starting point for exploring the breath in order to set a starting point and as a guideline for the direction of our Prāṇāyāma.

Secondly the importance of considerations around Prāṇāyāma as a process in terms of being in it for the long haul, rather than only looking at practices which offer immediate fruits after a single practice or class.

The second post also commented on the need to leave more than enough time during our Yoga practice for Prāṇāyāma, rather than it being the token twiddle at the end of the practice.

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Prāṇāyāma – Where to Start? Part Three

Prāṇāyāma – Where to Start? Part Three

In the previous two articles we discussed Krishnamacharya’s teachings around his understanding of and approach to the viniyoga or application of Prāṇāyāma.

Firstly in terms of Āsana being the starting point for exploring the breath in order to set a starting point and as a guideline for the direction of our Prāṇāyāma.

Secondly the importance of considerations around Prāṇāyāma as a process in terms of being in it for the long haul rather than only looking at practices which offer immediate fruits after a single practice or class.

The second post also commented on the need to leave more than enough time during our Yoga practice for Prāṇāyāma, rather than it being the token twiddle at the end of the practice.

I would like to use this post to consider how we need to add a structure within which we can build content. Without a structure our practice in this area can easily become random in terms of length or haphazard in terms of consistency.

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Prāṇāyāma – Where to Start? Part Two

Prāṇāyāma – Where to Start? Part Two

Continuing on from the previous post introducing the question of where to start in our investigation of our breath in Āsana in preparation for establishing and sustaining a consistent base within a Prāṇāyāma practice.

This also needs to be a base practice that both supports our day to day needs and yet allows it, as in any relationship, to grow and develop in terms of intensity and progress.

In this earlier post on where to start there were some key points that I would summarise around:

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Prāṇāyāma – Where to Start? Part One

Prāṇāyāma – Where to Start?

According to how I was taught there two possibilities, that of using ratio and that of using nostril techniques. Desikachar taught me, both for my personal practice and teaching skill base, that the journey towards Prāṇāyāma starts with the former before being enhanced and refined through the latter.

According to Krishnamacharya’s methodology around developing the breath aspect of the students practice, initially through Āsana and Mudrā and ultimately through Prāṇāyāma, begins with what happens in and to the breath in Āsana.

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Cale Vāte Calaṃ Cittam – As is the Breath so is the Psyche…….

Cale Vāte Calaṃ Cittam –
As is the breath so is the psyche.

The concept according to my teacher, oft quoted by Krishnamacharya, appears in the second verse of Chapter Two in the Haṭha Yoga Pradīpikā. It follows the opening verse which introduces Prāṇāyāma albeit with caveats around certain prerequisites.

Firstly establish an Āsana as a firm seat, not as simple as it seems given the predilection for action Āsana contrasting a difficulty in remaining seated, upright and still for half an hour.

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Prāṇāyāma within Rāja Yoga and Haṭha Yoga

According to the Yoga Kuṇḍalinī Upaniṣad verse 1 – the activity of Citta or psyche has two causes, the movement of Vāsana or latent impressions and the movement of Vāyu or Prāṇa. If one of them is active so is the other, equally if one of them is influenced so is the other.

These are the primary foci within the principles and practices of Rāja Yoga around Citta and Haṭha Yoga around Prāṇa. In terms of primary practices common to both we have Prāṇāyāma.

However as with Āsana within either Rāja Yoga and Haṭha Yoga (a topic for a future post), there are different priorities in the Viniyoga (application) of this common primary tool.

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