Another Niyama that should be followed is Āhāra Niyama.
That is, how much to eat and what to eat,
according to age, profession, etc.
You see, the ancient people believed that
a young boy could eat as much as he liked.
But a Saṃnyāsi should only eat eight handfuls of rice,
no more, per day.”
“When something is understood differently from what it truly is, it is called Avidyā.
What is changing is taken to be non-changing. For example the mind.
What is subjected to decay is assumed to be pure. For example the body.
What is leading to suffering is taken to be the source of pleasure.
What is not conscious is assumed to be conscious.
All these errors in perceptions have many possibilities.
But the ultimate stage of Avidyā is to assume that we are the Masters, not Īśvara.”
T Krishnamacharya’s commentary to Yoga Sūtra Chapter Two verse 5
Module One Art of Sounding and Chanting Workshop
– Free your Voice as a Way to Experience the Source of Vibration
The Art of Sounding and Chanting – Module One Sacred Sādhana Workshop is limited to around five students to allow for a personalised approach, interactive teaching and in-depth transmission between teacher and student. The 2 day workshop introduces the student to the primary principles and teachings from T Krishnamacharya and TKV Desikachar on the Art of Sounding and Chanting.
It is for a small group of around five students and offers a two day opportunity for a student from any Yoga background or style to have an in-depth introduction to the essential principles, practices and teachings that underpin the practice and teaching of Sound, Yoga Sūtra and Veda Mantra Chanting practice and how they can inspire and guide our personal Yoga practice and study Sādhana, either for personal development or, if relevant, professional skills.
- The Art of Sounding and Chanting – Module One Sacred Sādhana Workshop 9October 16, 2021
An in-depth Introduction to Sounding and Chanting
– Module One 2 Day Workshop October 16/17th 2021
– Five Places Available
Krishnamacharya taught that a Samāhita Citta
was a prerequisite starting point for Meditation.
If so, how do we relate to the modern phenomenon
that a Vikṣepa Citta can be a starting point for Meditation?
Unless perhaps we discern that here it isn’t actually Meditation?
The ABC of the Viniyoga of Yoga
is the bespoke long term cultivation of
a personalised, pertinent and progressive
Āsana Practice as a foundation for a separate
Breathing Practice with its own identity alongside a
Chanting Practice to honour teachings and transmission.
Dhyānam is the fabric that time weaves from these related threads.
The tendency is to measure a persons ‘progress’ by a
perceived comparison to some mythical finishing point,
rather than accepting that we cannot really appreciate
the reality of what was their actual starting point,
nor can we truly evaluate the effort they are putting
into developing and refining their personal Sādhana.
Feelings from the past remain eternally potent ravagers,
especially pervasive within the illusion of our present and
with it a tendency to recreate an old shape from our past,
whilst we are believing it to be a new shape for our future.
– Reflections around Yoga Sūtra Chapter Four verse 27
Postural Practice Pointer 21 – Backbends disturb the exhale
Backbends disturb the length and quality of the exhale,
in that they impact the Apāna and push the Mūla downwards.
Thus we need to consider an appropriate Pratikriyā Āsana
to compensate for this disturbance to the Apāna Sthāna.
Hence Pratikriyā such as Apānāsana to restore the Apāna.
“Mystery is always present;
it need not be limited to symbols or God.
It can be found in anything, provided we seek it.
It is in the hands of the seeker, not in the object.
Mystery is always there, everywhere,
provided the seeker is serious.”
– TKV Desikachar Religiousness in Yoga
‘A Session for Questions’
Chapter Sixteen Page 230
I find my personal practice mat a place to face myself.
Thus when I feel resistance to getting onto my mat,
I find it helpful to ask myself a question around,
what is it in myself that I don’t want to face today.
I was privileged to be able to study the Yoga Sūtra in its entirety over three times, word by word, Sūtra by Sūtra along with the commentaries of Krishnamacharya and Desikachar, within the intimacy and vitality of private lessons over 23 years of visits to Chennai.
“The beauty of the Sūtra is that they are only related to the mind.
Thus they stand above various religions and can be studied and
related to by all types of persons from all types of religions.”
– TKV Desikachar on Yoga Sūtra Chapter One verse 1
Rooted through this traditional method of transmission the Yoga Sūtra have long been a support for my personal Yoga practice and study Sādhana. With this in mind I designed a range of Workshop and Course Modules with detailed Yoga Sūtra Workbooks to facilitate being able to offer these teachings to individuals and small study groups of five students for both a personal and professional pursuit.
The Art of Sūtra Psychology Module One Workshops
Offer a 2 day Module as an opportunity for a student from any Yoga background or style to have an in-depth introduction to the primary principles and teachings introducing and underpinning the Yoga Sūtra and how they can inspire and guide our personal Yoga practice and study Sādhana, either for personal development or, if relevant, professional skills.
Module One – Yoga Sūtra Overview Chapters 1-4
Upcoming Dates for 2019 Module One Workshops – for groups of five students:
Upcoming Dates for 2020 Module One Workshops – for groups of five students:
Upcoming Dates for 2021 Module One Workshops – for groups of five students: